Golden Gate Bridge - A watercolor painting on Chitrapat handmade paper

 “ Watercolor condenses time and consolidates experience.” Frank Marcello

 PIXABAY is a free stock photography and royalty free stock media website. It is used for sharing photos, illustrations and a lot more, under the custom PIXABAY License, which generally allows the free use of material with some restrictions. I personally enjoy browsing through this site for some interesting reference photos of places that I haven’t visited so far but would love to paint them anyway.

I have already painted the “Golden Gate Bridge” ( “A suspension bridge that connects the San Francisco Bay and the Pacific Ocean. ) on earlier occasions but the photo that I found recently caught my eye mainly because, it had quite a different composition as it was an evening scene and also captured the cars racing across the bridge. This scene looked a bit challenging as I decided to use the watercolor medium and had to capture the racing cars, which were going to be gestural strokes and not too much of details. 

I finally painted it on Chitrapat handmade paper using my usual Winsor and Newton Cotman and Camlin Artists water color tubes. 

After having completed a painting, every artist looks back and reflects on the entire process of creating it. I do the same. I haven’t painted this kind of a scene before and by the time I completed it, I was happy. Trying something new and different is always very exciting. It motivates you further to pursue the journey. 

The Golden Gate Bridge

A water color painting on Chitrapat handmade paper 

Size 4” X 5”

The Golden Gate Bridge 

Courtesy: Pixabay.com

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Portrait drawing on Canson Mi Teintes paper

"Photography is an immediate reaction, drawing is a meditation." Henri Cartier

While having a holiday in Sikkim, we happened to stay in a homestay in Hee Bermiok, which being high up in the mountains was an adventure in itself. Today’s portrait is of beautiful woman, Deomaya Chettri, the mother of the homestay owner.

 I watched her morning till night, as she got busy in different day today activities. One morning she was busy drying the freshly dug out onions in the sun. With her permission I photographed her so that I could do her portrait. It was such a memorable experience, meeting people in these pristine valleys and being a part of their life for a few moments.

I have used a mix of graphite and charcoal pencils along with white pastel pencil to complete this portrait. The charcoal pencil by "General" is of great help to achieve the darkest tonal values in the drawing.

"The Smile"

A Charcoal Portrait drawing on Canson Mi Teintes paper

Size 5” X 7”

Canson Mi Teintes paper works great for portrait drawing. This paper has a rough textured surface on one side and a smooth one on the other. I personally prefer to use the smooth surface for both my “Portrait” and “Landscape” works. 

I have been posting my regular day today works on INSTAGRAM and you can browse through my feed to know what I am doing these days. My blogging has taken a backseat but I wish to revive it soon by posting regularly and sharing my thoughts and techniques on art.

Thank you for browsing through my artworks and supporting me in my art journey.

Waterfall - A study work in pastel medium

“ The only source of knowledge is experience.” Albert Einstein

Before starting any artwork, I do a small study of the same to understand the subject a little better. The waterfall study ( Naga Waterfall ) as below has been created with reference to a photograph, which I took while we were travelling up north in Sikkim. This is an upper view of the fall and the perspective is a bit complicated. The water is flowing from upper left to lower right.

Creating this 4” X 5” artwork on a small Canson MT was an interesting experience.I have limited myself to using very few pastels and pencils to create this 4” X 5” artwork. ( Koh-I-Noor and Mungyo brand )

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Soft pastel study work of a waterfall

from North Sikkim.

Size 4” X 5”

I have been using Canson Mi Teintes paper since last few years and it is a great paper for pastel and charcoal artworks. However I always wanted to try out some other brand sanded paper because when I am painting subjects like “Forest pathways” , I feel the need to apply more than two layers of pastels which becomes a little difficult with Canson paper. 

Therefore I ordered a La Carte pastel card Pad with twelve assorted coloured cards in it. I have already created two works on this card and will be posting them soon.

If you wish to purchase any of my paintings, you can browse through them in gallery format on my Instagram page. For any query regarding any of my works you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

Thank you for visiting my blog and supporting me in my art journey.

Pastel painting on Fabriano Tiziano paper

"Sometimes you got to create what you want to be a part of." Geri Weitzman

The above quote speaks my heart. I stay in a crowded metro city in India and long to be amidst nature. Travelling takes me to places where nature is in its pristine form. Being in nature helps me relate to it better and I feel so connected with the surroundings.

The soft pastel painting as below is a scene that I came across while we were climbing uphill on the mountain slopes at Hee Bermiok in order to get a better view of the snow covered Kanchenjunga mountains. The dense greenery around kept the muddy pathway in shadows. It was a cold and breezy day and the I was attracted to the distant light in the composition. It seemed to add a little warmth in the atmosphere.

Distant light

A soft pastel painting on Fabriano Tiziano paper.

Size 6.5" X 8.5"

For most of my pastel works I use the Mungyo pastels in the beginning to block in the major shapes and later I use the Koh-I-Noor and Gallery pastels. During my final touch up I make use of my recently purchased Sennelier pastels.  

I have selected a black coloured Fabriano Tiziano paper for my present painting. The colours come out very vibrant on a dark coloured paper, however the disadvantage is that it gets difficult to cover up the black at areas where you want subtle shades. Too much smudging dulls the colours. Therefore for my next work I have decided to go with the mid tone paper. CLICK HERE , if you wish to know about the papers I use for my soft pastel paintings.

Thanks for visiting my blog and browsing through my artworks. My blog has crossed 75,000 page views and I am grateful to all the people who have been constantly supporting me in my art journey. It encourages and motivates me to continue painting and to share my ideas, thoughts and techniques with everyone.

Water colour painting of a seashore from Langkawi island, Malaysia

"Because watercolour actually moves on the paper, it is the most active of all mediums, almost a performance art." Nita Engle

The above quote truly states the beauty of water colour medium. It is a very challenging medium. I start with a very definite plan, create a small study sketch and then I paint the whole scene in my mind before I actually begin my work. But somehow you can never control the process completely. In water colour painting, I feel, art just happens. One has to be quick with the brush and the flow. It all gets over even before you know it. Water colour is fun and I am loving every moment of it.

My today's painting is inspired by a beautiful beach that we came across while we were at Langkawi island, Malaysia. It was very quiet. There were not many tourists around. The shadows of the trees, branches and the foliage mingled with the ocean waves gently crashing at the shore. I spent some great moments at this stunning beach. Through this painting, I have tried to capture those moments.

"In every outthrust of headland, in every curving beach, in every grain of sand there is the story of the earth." Rachel Carson. Beautiful quote.

The shadows at the beach

Water colour painting on Fabriano CP paper

Size 8.5" X 11.5" 

The tree foliage in this painting was a challenge. Creating it as study work in a small sketchbook comes easy as I am more free with the brush movements. However, when I am doing a bigger size work such as above, the brush strokes kind of get a little restricted. May be it is the fear of making a mistake. With time and experience I shall be doing more loose and free brush movements which in turn will bring out some happy outcomes. Until then, I shall continue my water colour journey painting different subjects.

.CLICK HERE to view a soft pastel painting of a beach from Langkawi.

Thank you for visiting my blog and browsing through my works.

Charcoal and Graphite Portrait drawing of a boy

"I am interested in art as a means of living a life; not as a means of making a living."
Robert Henri

Some months back I had purchased Canson Bristol paper from "Art Lounge" with an intention of trying it out for my graphite and charcoal artworks. It is an extra white paper with a very smooth surface. I used it initially to do my "Eye studies" and later started a portrait of a young boy which for various reasons never got completed. Therefore I decided to put in a few hours on it and finally completed it. In this particular drawing I have used a combination of both graphite and charcoal medium.

In conclusion, I love the Canson Bristol paper for its extra white colour. However since I have not worked much on a very smooth surface, I am feeling a bit uneasy at this stage. In fact all the papers that I have used in the past have a textured surface and so I have got very comfortable using them. But at the same time, I do not want to give up on this paper and may try one or two more portraits to make a final conclusion ie to keep it as a preferred choice for future or to let it go.

CLICK HERE to know about the papers that I use for my charcoal drawings.

Young Boy

Charcoal drawing on Canson Bristol paper

Size 5" X 7"

Posted below is the image of the Bristol paper by Canson

I enjoy doing both landscapes and portraits. However landscapes take much lesser time as compared to doing portraits. My portrait drawing happens in stages. I never complete it at one go. I take my time and as and when I am in the right frame of mind, I sit at it and little by little I add the layers. It is interesting to see the portrait develop and when it finally completes it seems like a big achievement. 

 If you wish to purchase any of my artworks, you can browse through them on my INSTAGRAM page. I shall communicate with you regarding the availability of the painting, the shipping procedure and other details.

Thank you for visiting my blog.