Sennelier La Carta Pastel card ( Review )

“A beautiful body perishes, but a work of art does not.” Leonardo Da Vinci

For a very very long time, I have been using only  Canson Mi Teintes paper  for my soft pastel artworks. However lately I began exploring La Carte Pastel card by Sennelier which I purchased from Blick Art Materials a while ago. It’s not that I am unhappy with Canson paper as a choice but there are times when I feel the need to add more than three to four layers which gets difficult in Canson Mi Teintes paper as it’s surface cannot hold more than two to three layers of pastels. Whereas a sanded paper can accept many layers of pastels on it and as an artist you get the freedom to experiment with soft, hard edges. It’s very versatile.

Below are some of my 3” X 4” soft pastel studies that I created on Sennelier La Carta pastel card and I am totally in love with it. It’s great to be working with this sanded surface and I am truly enjoying it. So if you are looking to work with a sanded paper, then do go with this one as I highly recommend it. 

To browse through my latest artworks ( I am more active these days on Instagram ), do visit my INSTAGRAM portfolio where in I share my art and my thoughts behind creating it.

 

If you wish to know more details about each of the above paintings, do browse through my Instagram portfolio where I am more regular at posting my artworks in different mediums. 

Watercolor paintings of Icebergs on Chitrapat handmade paper

“The real subject of every painting is light.”

Claude Monet

A few months ago, I happened to come across beautiful documentaries on nature on NETFLIX. The more I watched, the more I got fascinated and then my art journey took a new turn. I started painting “Icebergs” and “Glaciers”. Ideally, I would love to experience these beautiful marvels of nature myself, however I do believe that I can travel to these places via my paintings. When I create them on paper, I actually feel the atmosphere bit by bit using my brushes, paints and my thoughts. The final outcome transports me to these lovely places and I am practically in a different world.

For reference photographs, I normally browse through free sites like PIXABAY and UNSPLASH.

At times I also ask permission from photographers and travelers, and give due credit to them once the painting is done. More details about the paintings posted below can be seen on my INSTAGRAM handle, where in I am more regular at posting my works. If you have observed already, I am more into using a limited palette in each of my paintings below. When I post on Instagram, I normally mention the colours used which can be anything between three to five colour hues. ( Each colour hue could be made of one or more colour pigments ). Lesser the better. 

The paints, the brushes and the paper matter a lot when creating a Watercolor painting. I am still learning, experimenting and exploring but have realised that Chitrapat handmade paper is wonderful as it is great for wet on wet technique. In paints I majorly use Camel Artists quality Watercolor tubes and for brushes I will be writing another post soon as each of the brush that I use today has a story behind it and over a period of years I have invested in some expensive brushes which I do not regret as they have made a lot of difference in the quality of my works.

Aerial Drift

Watercolor painting on Chitrapat handmade paper 

4” X 5.5”

Gentle Drift

Watercolor painting on Chitrapat handmade paper 

3.75” X 5.5”

Watercolor painting on Chitrapat handmade paper 

4.5” X 6.5”

Resting on the blue

Watercolor painting on Chitrapat handmade paper 

5.25” X 8”

I have not been very regular at writing posts for my blog. However if you love my works you can follow me on INSTAGRAM. 

A Ship ( Geared cargo vessel ) at port - A watercolor painting

 “Watercolor and it’s application have become a moving force, directing and enriching my life.” Theresa R Einhorn

In the year 2019, I was at New Mangalore Port with my husband who is a marine officer. Our ship was berthed opposite to the the scene that I am posting today. From the porthole of our cabin, I watched the loading taking place on the geared bulk carrier on the opposite berth. I painted this experience on Chitrapat handmade paper ( one of my favourite papers for Watercolor painting ).*

Since it was a morning scene, I kept the sky a little warm at the horizon using raw sienna colour. For the ocean I used a mix of ultramarine blue and cerulean blue ( Camlin Artist watercolor tubes ). The ship anatomy is pretty complicated and it’s not possible to get all intricate details, however I tried to get in the cranes, the accommodation and the cranes. Painting a personal experience is always such a pleasure.

Apart from Camel, I have also used Winsor and Newton Cotman paints .

Arrived at port

A watercolor painting on Chitrapat handmade paper

Size 7” X 10”

A cargo vessel at berth.

Photograph taken at

New Mangalore Port

If you want to read more about the reasons I prefer using Chitrapat handmade paper for my Watercolor paintings, CLICK HERE. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for browsing through my blog and being a part of my art journey 🙏

Figurative study works on Chitrapat handmade paper

 “There are no half measures when it comes to Watercolor. Watercolor demands constant devotion.” Pierre Tougas

Have you ever tried painting small figures on paper ?

Some months ago, I decided to create figurative works on small cutout’s of Chitrapat handmade paper. I basically did it to get a better understanding of human anatomy. Moreover since I am a landscape artist I find it tricky to add tiny figures in a 5” X 7” artwork. So the idea was to develop a technique to create the right strokes to get the figures looking realistic on paper. To a great extent, it helped and I was happy.

The paints I used were

1. Camlin Artist watercolor tubes

2. Winsor and Newton Cotman paints

The brushes I used were

1. Van Gogh foldable brush ( It comes with Van Gogh paint set )

2. Escoda Perla round brush

3. Winsor and Newton rigger brush

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for browsing through my blog and being a part of my art journey 🙏

Step by step soft pastel painting - Road to Spiti

 “The important thing is to create. Nothing else matters; Creation is all.” Pablo Picasso

The Spiti holidays ( Himachal Pradesh ) happened in 2013. But the memories are so fresh. By painting a landscape scene from my travel journey, I make it all the more memorable. The winding roads, high up in the mountains, carved out by cutting through the mountains, so people like us can enjoy the beauty of the unseen wonders of this part of the world. So grateful to all those who worked so hard and made it happen.

We were so overwhelmed by the landscape around the roads, that we took frequent breaks to soak in the lovely atmosphere and of course to capture few photographs for reference ( For my future artworks). I still haven’t painted them all. Each one being very close to my heart. 

Road to Spiti

A soft pastel painting on Canson Mi Teintes paper

Size 5” X 7”

Step 1. I lightly draw the outline using a white pastel pencil on a medium toned Canson Mi Teintes paper

             ( Used Twilight shade here ). Using  Mungyo and Kohinoor Toison Dor soft pastels, I then use 

            Very light touch to fill in the respective colours keeping in mind the tonal values and perspective.      

Step 2. Once I have covered the entire surface of the paper with the respective colours as per my 

             interpretation ( The photo captures all the colours. Whereas in reality the distant objects are

             dull in colour and do not have any details or sharp outlines ). I lightly blend at places using

             my finger.

Step 3. In the final layer I add more colours to create depth. I also use pencils at this stage to put in 

            details at several places as required. That about completes the painting. I normally do not use any 

            fixative as I personally feel that it dulls the colours. I use a butter paper on top and staple it at

            one end and then keep it in the folder until framed.

My art studio

With my collection of soft pastels

And pastel pencils

Kohinoor Toison Dor 

120 soft pastels ( Foldable box )

Purchased from Art Lounge

Sennelier extra soft

120 half stick 

Paris Collection 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for taking out time and browsing through my blog 🙏

Golden Gate Bridge - A watercolor painting on Chitrapat handmade paper

 “ Watercolor condenses time and consolidates experience.” Frank Marcello

 PIXABAY is a free stock photography and royalty free stock media website. It is used for sharing photos, illustrations and a lot more, under the custom PIXABAY License, which generally allows the free use of material with some restrictions. I personally enjoy browsing through this site for some interesting reference photos of places that I haven’t visited so far but would love to paint them anyway.

I have already painted the “Golden Gate Bridge” ( “A suspension bridge that connects the San Francisco Bay and the Pacific Ocean. ) on earlier occasions but the photo that I found recently caught my eye mainly because, it had quite a different composition as it was an evening scene and also captured the cars racing across the bridge. This scene looked a bit challenging as I decided to use the watercolor medium and had to capture the racing cars, which were going to be gestural strokes and not too much of details. 

I finally painted it on Chitrapat handmade paper using my usual Winsor and Newton Cotman and Camlin Artists water color tubes. 

After having completed a painting, every artist looks back and reflects on the entire process of creating it. I do the same. I haven’t painted this kind of a scene before and by the time I completed it, I was happy. Trying something new and different is always very exciting. It motivates you further to pursue the journey. 

The Golden Gate Bridge

A water color painting on Chitrapat handmade paper 

Size 4” X 5”

The Golden Gate Bridge 

Courtesy: Pixabay.com

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 

“Beach Reflections” A soft pastel painting on Canson Mi Teintes paper

 “ Limitless and immortal, the waters are the beginning and end of all things on earth.” Heinrich Zimmer

Somewhere in December 2019, I was at Bogmalo beach ( Goa ), with family to attend a marriage function. Little did we know of what was in store for us in the coming months. And then in 2020, Covid struck and all traveling came to a halt for a long long time. Therefore this beautiful beach is a reminder of the pre covid carefree era, when I took out time one early morning to walk along the shoreline and capture some lovely photographs which I planned to paint later at leisure. 

Today’s soft pastel painting of an early morning scene at Bogmalo Beach is one of the many paintings that I have created in the recent times. What I loved a lot in this particular capture is the reflection of the distant hills reflecting on the water reaching the shoreline. 

“Beach Reflections”

A soft pastel painting on Canson Mi Teintes paper

Size 5” X 7”

Like in any typical soft pastel painting, I have used Canson Mi Teintes paper and my usual Mungyo, Kohinoor Toison Dor and Sennelier pastels. These pastels work great in combination and as of now I am pretty content with my collection and do not wish to add any more.

If you wish to see some of my latest artworks you can visit my Instagram site wherein I post my works more regularly. Thank you for browsing through my blog. 🙏

Step by Step, soft pastel forest landscape ( Coorg, Karnataka )

 “Perfection is no small thing but is made up of small things.” Michelangelo 

Of late, I have been pretty busy with my water color paintings but I do miss working with soft pastels. So took out some time recently and created this forest landscape referring to my photo taken at Coorg, Karnataka. 

I have used the following brand of soft pastels as:

1. Camlin

2. Mungyo

3. Gallery

4. Kohinoor Toison Dor.

5. Sennelier

Each of these brands have their own qualities and together they work great for me. If I have to recommend one brand to buy as a set for the beginners, I would suggest set of 48 soft pastels by Kohinoor Toison Dor. These cylindrical sticks are absolutely soft on the paper and work wonders. Moreover they are economical too. As far as paper is concerned, I mostly go with Canson Mi Teintes as I find it economical and it has sufficient tooth for taking in two layers of pastels. I normally finish my work in two layers and additionally do a little touch up in the end using the extra soft Sennelier pastels.

“ On the way to Coorg”

A soft pastel painting on Canson Mi Teintes paper

Size: 7” X 9”

I have visited Coorg several times in the past and every time I am there it feels absolutely amazing. There is something magical about the nature vibes. It rejuvenates you to the core.

The Steps involved in creating the above artwork

Step 1.  Created a faint basic outline of the major shapes using a light coloured 

soft pastel pencil and later used the Mungyo and Kohinoor 

soft pastels to paint the respective tonal values keeping

in mind the source of light, and the shadows.

Step 2. After the first layer of color application ( using soft touch, as Canson Mi Teintes

cannot take in too many layers of colors ), I blended the colors 

on the paper using my finger tips to cover up the underlying

black shade of the paper. 

Step 3. After the first layer was painted and blending is complete, I carefully began with 

the background sky and slowly worked my way towards the forest 

trees and other elements as I progressed downwards towards 

the foreground. I used Kohinoor soft pastel pencils to create

the fine branches, and other details ( mostly in the

middle ground ) 

The reference photo taken at Madikeri ( Coorg, Karnataka )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for taking out time and browsing through my blog 🙏

Seascape - A water color Painting on Chitrapat handmade paper

 “Translucence is an effect unique to the medium of watercolor and the lure that beckons me into the studio for yet another creative adventure.” Michele Cooper

Using Chitrapat handmade paper has always been a delight. I have written a lot already about the advantages of using this paper in my previous posts and I personally use this paper a lot. Apart from this paper I also like using Arches cold pressed paper and Fabriano Acquarello paper. 

For the painting below I have used very few colors, namely raw sienna, burnt sienna, orange and ultramarine blue. Using wet on wet wash technique, I initially painted the sky, the ocean and the sandy beach. Then I let the paper dry. Later I used ultramarine blue and burnt sienna to create the rocky structures in the distance, followed by the ocean and the beach. I also added few sailboats in the distance, using a very dilute wash of ultramarine blue and burnt sienna. The reflections of the rocks were added pretty much in the end. Can you also spot the birds flying in the sky? It was fun painting this seascape which has an overall warm tone and I forgot to mention that I have used Winsor and Newton Cotman paints and Camlin Artist watercolor tubes for this work. 

Evening Glow

A water colour painting on Chitrapat handmade paper 

Size 5” X 7”

In most of my posts, I have given a brief description about the paper and paints used by me. However I failed to write about the brushes I use in order to create them. In one of my upcoming posts, I shall try and give a detailed description about the different brushes used by me.

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for browsing through my blog and being a part of my art journey 🙏

Senibel beach Florida , Step by step watercolor painting

“Limitless and immortal, the waters are the beginning and end of all things on earth.” Heinrich Zimmer

My today’s post is a small water colour painting that I created recently on Campap watercolor paper. I posted it on my INSTAGRAM feed a while ago and decided to blog about it as I captured the steps involved in creating it. This Senibel beach scene from Florida is inspired by a photograph from @tryatrip and I am grateful for the same. Most of the times, I try using my own reference photo, however there are times when I come across something beautiful which I cannot resist and therefore go ahead and paint it.

If you have been following my works on INSTAGRAM you would know that I am a lot into Chitrapat handmade paper for my watercolor paintings which is really a great economical paper to start with but sometimes I do try on other papers which are in my collection and are fairly good.

                                                               

                                                                 Senibel beach, Florida

                                                   A water colour painting on Campap paper   

                                                                       Size   4” X 5.5”

                                            

Step 1. Sky and distant buildings

Step 1. I wet the paper using clean water and then using a round brush created

the sky with ultramarine blue color. While the paper was still wet I 

added the distant buildings using a small flat brush ( Ultramarine blue and light red mix )

 I darkened the pigments at places using a thicker mix of paints to create 

different tonal valuesto suggest the towers in the distance.

Step 2. The sea and the foliage on the left

Step 2. I now wet the lower section of the paper to create the ocean and 

ocean waves. I have used a mix of ultramarine blue and viridian green

for the sea waves and raw sienna for the seashore. Once the ocean was done,

I used wet on dry technique to create the foliage and branches on the 

left. I created the greens using chrome yellow and ultramarine blue.

In greens, I like the Hookers green from Camlin. I mix it

with a cool or warm color to create the shade I desire.

For the thin branches, I normally use my rigger brush

in the end.

For the final step, I added a few rocks and twigs on the sand. ( The Final painting as displayed on the top ). The wet sand next to the waves gets a reflection of sky color for which I have used ultramarine blue and light red mix from Camlin. That about completes the painting. If you happen to miss out on leaving the white of paper for the froth on seawaves, you can apply white paint directly from the tube using a stiff synthetic brush. ( I do it all the time. I have used masking fluid in the past, but from my experience I have realised that they all dry up if not used frequently and it is an expensive affair. So these days I avoid buying it. )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Why I love using Strathmore toned paper

 “A beautiful body perishes, but a work of art does not.” Leonardo Da Vinci

Today apart from posting my two more drawings in the “Sparrow series”, I decided to dedicate this post to “How and when I started using Strathmore toned paper” and “what I love most about it”. To be frank, it’s been years and it is difficult to keep a track of lots of things that have happened while I have been moving ahead in my art journey. Therefore my BLOG and INSTAGRAM help me go down the memory lane to browse through the recorded facts and I feel so grateful that I started sharing my artworks with the art community from around the world.

After checking the data I realised that my earliest drawing of “Eye Study” was posted on April 17th, 2017. So it was definitely around that time when I visited Art Lounge, which during those days was situated at Churchgate. I along with a friend of mine had traveled by local train to do our yearly “Art Stationery Shopping”. It see to be fun. I had seen some lovely charcoal and graphite drawings on Strathmore paper and that inspired me to one for myself and check it out. My first pad that I purchased, as shown below, continues to be used even today as there are still some papers left in it.

Strathmore gray toned paper pad

( 50 sheets )

My fascination for the subject “Sparrow” started after I started having plenty of sparrows all of a sudden in my balcony. It has been a pleasant change and I wake up to chirping of this beautiful species and it’s such a great way of starting the day. Sometimes I just quietly stand at one corner and watch their playful activities. 

For both the “Sparrow sketches” as given below, I have used Camlin graphite pencils namely 3B, 6B and 9B. For white pastel shading I have used Conte A Paris and General white pastel pencil. For my earlier sketching I experimented with combining graphite with Staedtler charcoal pencil, however I realised the blending does not go well. So I decided to keep my artwork limited to plain graphite strokes.

Holding on

A graphite drawing on Strathmore drawing paper

Size 4” X 5.5”

Balancing Act

A graphite drawing on Strathmore drawing paper

Size 4” X 5.5”

My personal review about STRATHMORE GRAY TONED DRAWING PAPER and why I love using it for my graphite and charcoal drawings 

1. It is 100% recycled, contains 30% post consumer fibre and is acid free.

2. The paper works great with graphite, charcoal, color pencils, ink etc and is very versatile.

3. It has a smooth surface and very fine texture which helps in holding the graphite and charcoal medium 

    pretty well.

4. Strathmore toned paper is available in two shades, gray and tan, which work as mid tone values. This

    makes it easier to judge the dark and light values and saves a lot of time as we need to apply only the 

    lighter and darker tones.

5. The paper is 118 gsm and this thickness is perfect to create some great artworks.

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 

Watercolor thumbnail sketch to simplify the painting process

“It is not the ship so much as the skilful sailing that assures the prosperous voyage.” George William Curtis

Water color medium by itself is challenging medium as compared to others. Therefore before attempting the final painting, I love to explore the different possibilities by doing small “Thumbnail sketch” or “Preliminary Study”. 

The subject “Cargo Ship” is a little out of my comfort zone and moreover it also involves the understanding of ship structure in general. Therefore, I felt it appropriate to create the two “Thumbnail sketches” as below to visualise the final painting. It also helps me to simplify a very complicated painting and most importantly it is a great mental warm up exercise.

 Both works are created on Chitrapat handmade paper which is made of 100% cotton fibreand very economical too. CLICK HERE to know more about this paper.

For both the paintings as shown below I have used a limited palette of Camlin Artists water color tubes namely

1. Ultramarine Blue

2. Raw Sienna

3. Burnt Sienna

4. Light red

5. Permanent orange

6. Chinese white ( for highlights )

Cargo vessel out at sea

A thumbnail sketch on Chitrapat handmade paper 

Size 2.5” X 4”

A Bulk Carrier at the port

A thumbnail sketch on Chitrapat handmade paper 

Size 3” X 4.5”

My Palette with Camlin Artists water

Colour tubes which I normally use for 

Thumbnail sketches

Chitrapat handmade paper pad

Purchased online from MAXA-ENTERPRISES 

During my initial years of painting I was unaware of the advantages of creating thumbnail sketches/preliminary studies. As I progressed in my journey I got inspired by a lot many experienced artists who advised on following this routine in order to plan and research an artwork beforehand. It made a lot of sense to me and initially it was not easy to adapt to this routine as this involved additional effort of creating a complete painting in a small size. Some of my initial attempts were pretty disappointing but as time progressed, I got more comfortable in creating small thumbnail works which are either 3” X 4” OR 4” X 5.5”.

Sometimes I feel that my thumbnail works which are done so spontaneously, without any fear of getting wrong, have that freshness and energy in them which sometimes goes lacking in the larger version of the same artwork. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for browsing through my artworks and I appreciate your support in my art journey.

Sparrow - A Graphite drawing on Strathmore gray toned paper

 “A bird sitting on a tree is never afraid of the branch breaking, because her trust is not on the branch but on its wings”

If you are following me on INSTAGRAM , you probably must have already gone through my recent graphite drawings on “Sparrow series”. ( I have to admit that I have been more regular on my Instagram as compared to my blogging. I wish I could dedicate more time to writing in my blog. )

After having done watercolor medium for months, I suddenly felt the need to take a break and so decided to get back to my toned paper drawing and sketching. As far as stationery is concerned, I have enough of art materials for every possible medium. ( Over a period of time I have accumulated a whole lot of pencils, papers, paints and brushes and it helps because in COVID situations it is not easy to procure the desired materials easily. )

When it comes to toned paper, the two papers that I absolutely love and recommend to everyone are

1. Strathmore toned paper ( Gray and Tan shade )

2. Canson Mi Teintes paper ( Beige and Gray shade )

For my “Sparrow series” I decided to go with Strathmore gray toned paper as I wanted to create soft strokes of graphite and white pastel pencil. The smooth textured surface of the paper, I felt was ideal for these drawings.

“Just Relaxing”

Graphite/ Charcoal drawing on Strathmore Gray toned paper

Size 4” X 5.5”

“Sparrow on the tree”

Graphite drawing on Strathmore Gray Toned paper

Size 4” X 5.5”

pencil

The Strathmore pad with

Gray toned papers

Purchased from Art Lounge

These days I try to limit myself to using minimum art stationery in order to keep my working process simple. In both the above drawings I have used 3B, 6B and 9B graphite pencils and Creatacolor and General white pastel pencil. 

Pencils used 1. General white pastel pencil

2. Cretacolour white pastel pencil

3. Camlin 3B graphite pencil

4. Camlin 6B graphite pencil

5. Camlin 10 B graphite

In addition to the above, I also keep a simple pen pencil which I normally use in the beginning to create a very faint outline of the subject. If you are a beginner, my suggestion is to practise using simple materials available at home and once you feel you enjoy working on toned paper then go ahead and add a few products. When I first got into toned paper artworks, I remember using simple handmade coloured papers with rough surface and it cost me just about 20 to 30 Indian Rupees a sheet. CLICK HERE  to browse through my initial experimental works on handmade paper.

Thanks for visiting my blog and if you wish to purchase any of my original artworks, you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.