Waterfall - A study work in pastel medium

“ The only source of knowledge is experience.” Albert Einstein

Before starting any artwork, I do a small study of the same to understand the subject a little better. The waterfall study ( Naga Waterfall ) as below has been created with reference to a photograph, which I took while we were travelling up north in Sikkim. This is an upper view of the fall and the perspective is a bit complicated. The water is flowing from upper left to lower right.

Creating this 4” X 5” artwork on a small Canson MT was an interesting experience.I have limited myself to using very few pastels and pencils to create this 4” X 5” artwork. ( Koh-I-Noor and Mungyo brand )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Soft pastel study work of a waterfall

from North Sikkim.

Size 4” X 5”

I have been using Canson Mi Teintes paper since last few years and it is a great paper for pastel and charcoal artworks. However I always wanted to try out some other brand sanded paper because when I am painting subjects like “Forest pathways” , I feel the need to apply more than two layers of pastels which becomes a little difficult with Canson paper. 

Therefore I ordered a La Carte pastel card Pad with twelve assorted coloured cards in it. I have already created two works on this card and will be posting them soon.

If you wish to purchase any of my paintings, you can browse through them in gallery format on my Instagram page. For any query regarding any of my works you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

Thank you for visiting my blog and supporting me in my art journey.

Trying a cloudy sky using water colour medium.

"Avoid illustrating. Express the intangible, the atmosphere, the smell....the sound, the feeling of the place."Alvaro Castagnet 

It is important to know and understand water colour as a medium and reading quotes by master water colorists every once in a while helps. I enjoy reading quotes by Joseph Zbukvik, Alvaro Castagnet and others. I also take out time to watch them doing their paintings. It enlightens me and encourages me to never give up.

Today's post is a painting of a beautiful sun kissed sea and I am sharing a poem which I came across recently while I was browsing through PINTEREST.

The Sun kissed sea

A beauty rare, beyond compare,

is sun kissed sea,

No scene so calm, no scene so fair,

As this to me.

When floods of light dispel the night,

The morning kiss on waves

which sparkle with delight,

Is loveliness.

When ends my day, I trust and pray,

My voyage be

O'er the waters, where some golden ray,

May kiss the sea.

The Sun kissed sea
Water colour painting on hand made paper
Size 7"X 10"

With my soft pastel palette, all organised and cleaned up, I am ready to begin with my pastel art. To begin with I shall be doing a few thumbnail sketches or study sketches, which will help me warm up. Small study works are great in order to understand the composition, value masses, colour etc. It helps you visualize the final outcome. If it looks fine in its initial stages then it encourages me to go ahead to create a bigger sized artwork on the same subject.

Are you into doing study sketches too? If yes, do write to me and share your experience. It will be fun to know more about it.

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for visiting my blog.

Trying out "Cloudy sky" in water colour medium

"Every painting is a voyage into a sacred harbour." Giotto di Bondone

Some months back a friend of mine visited Maldives for a holiday and sent me a few photographs from her visit. The place is beautiful with stunning beaches and I have already painted one scene earlier. My today's water colour painting is yet another scene from Maldives and I selected this scene in order to get a better understanding of painting clouds, its shapes and shadows.

As I wanted the sky to be the main focus of the painting, I avoided painting too many boats in the foreground, keeping just two boats at the distance on the left. For this painting I have used a very limited palette of colours such as Ultramarine blue, Cerulean blue, Crimson, Indian red and Burnt Sienna.

Water colour study of Cloudy sky

on hand made paper.

Size 5"X 7"

When it comes to water colour medium I am still on the experimental stage and am busy doing the "Seascapes" and "Mountainscapes". It is a challenging medium and there is so much more to learn, be it colour mixing or the different techniques like wet in wet, wet on dry etc. I believe in taking it slow, one step at a time. I am keen on doing forests too but have not got started with that subject as yet but plan to do so very soon.

Thank you for visiting my blog and browsing through my artworks.

Patong beach, Phuket

"The flow of water and paint can be uncontrollable and crazy, but it is also freedom, an escape, a therapy, joy, and, oh yes, very sensuous!" Angela Lynch

The above quote says it all. Water colour medium is challenging and the outcome so unpredictable. Yet you cannot help but fall in love with it.

Today's water colour painting is a scene from Patong beach, Phuket. This beach was right across our hotel and at around ten in the morning, the water level had receded a bit, which made the distant rocks and trees clearly visible. I have used a mix of Camlin and Winsor and Newton paints to create this artwork.

At Patong beach, Phuket

A water colour painting on Fabriano paper

Size 7" X 9"

Painting a beach scene such as above gives me the opportunity to try out many different elements such as the water, the sky, the rocks, the foliage and reflections. 

Thank you for visiting my blog and browsing through my paintings.

Sunset at the beach - A watercolour painting

"Watercolour is probably the most satisfying of all mediums. Although difficult in the beginning, after practice its mysteries will unfold, providing the utmost pleasure for the dedicated." Robert Lovett

Painting a sunset scene has been on my mind since long, therefore I decided to create one on handmade paper. I chose handmade paper since it stays wet for long and I can keep dropping in colours which blend smoothly into the background. If the paper does not have water holding capacity then I it starts drying up quickly and that leads to some unwanted hard edges.

The sky in this particular painting has a mix of warm and cool colours, so I mixed up enough colour in the palette before beginning the painting. In water colour painting, I have realised that I need to have a definite plan in my head regarding the steps that I am going to follow or else the painting gets ruined. For the sea weeds I picked up dry paint from the palette and used my coarse flat brush sideways and to create the tall grass blades I have made use of a rigger brush. It was fun creating this work using Camlin Artists water colour tubes.

Sunset at the beach

Created on handmade paper

Size 5"X 7"

Hand made paper is great, however it is important to know if it is acid free or else over a period of years the paper colour turns a pale yellow. I have some old papers in my collection and since they are not acid free I use them for my study works. The paper that I have used for my above work seems to be acid free and I have purchased it from Himalaya Stationery at Fort.

To know more about my upcoming Art Workshops CLICK HERE and thank you for visiting my BLOG.

Pastel painting on Fabriano Tiziano paper

"Sometimes you got to create what you want to be a part of." Geri Weitzman

The above quote speaks my heart. I stay in a crowded metro city in India and long to be amidst nature. Travelling takes me to places where nature is in its pristine form. Being in nature helps me relate to it better and I feel so connected with the surroundings.

The soft pastel painting as below is a scene that I came across while we were climbing uphill on the mountain slopes at Hee Bermiok in order to get a better view of the snow covered Kanchenjunga mountains. The dense greenery around kept the muddy pathway in shadows. It was a cold and breezy day and the I was attracted to the distant light in the composition. It seemed to add a little warmth in the atmosphere.

Distant light

A soft pastel painting on Fabriano Tiziano paper.

Size 6.5" X 8.5"

For most of my pastel works I use the Mungyo pastels in the beginning to block in the major shapes and later I use the Koh-I-Noor and Gallery pastels. During my final touch up I make use of my recently purchased Sennelier pastels.  

I have selected a black coloured Fabriano Tiziano paper for my present painting. The colours come out very vibrant on a dark coloured paper, however the disadvantage is that it gets difficult to cover up the black at areas where you want subtle shades. Too much smudging dulls the colours. Therefore for my next work I have decided to go with the mid tone paper. CLICK HERE , if you wish to know about the papers I use for my soft pastel paintings.

Thanks for visiting my blog and browsing through my artworks. My blog has crossed 75,000 page views and I am grateful to all the people who have been constantly supporting me in my art journey. It encourages and motivates me to continue painting and to share my ideas, thoughts and techniques with everyone.

Portrait drawing

"To draw, you must close your eyes and sing." Pablo Picasso

Quotes are beautiful. I find them very inspiring. No matter how passionate or self motivated, there are days when nothing seems to work. Quotes speak the right words at these moments.  

My today's post is a portrait drawing of a beautiful old woman with great features. I met her in Hee Bermiok, Sikkim while I was holidaying there in a traditional homestay high up in the mountains. She came up to our homestay, climbing all by herself and her agility, enthusiasm and bubbly nature inspired me. I had the pleasure of interacting with her and I got to know a lot about her way of life. It is so peaceful out there and I consider her fortunate to be able to enjoy pristine nature.

I have already created a side profile drawing  of this beautiful woman and posted it earlier in August. This time I decided to sketch her front face in order to capture her expression, emotions and feelings. Her curled up scarf over her head, which left a few braided hangings accentuated her looks. I also loved her traditionally designed nose ring which I found was pretty unique. 

In Quiet Moments

Charcoal and white pastel pencil drawing on

Strathmore gray toned paper.

Size 5" X 7"

As an artist I love doing both "Landscapes" as well as "Portraits". Portrait drawing takes much longer time than a landscape painting. Therefore I do it in stages by taking frequent breaks. The portrait such as above took me about a week to complete but once completed, it gives me immense satisfaction. The feeling cannot be described in words. It motivates me further to create more works such as these. 

Thank you for browsing through my artworks. 

To know about my upcoming workshops CLICK HERE.

From photograph to charcoal drawing

"While drawing, I discover what I really want to say."Dario Fo

As an artist I am always looking for meaningful quotes as they speak my thoughts and keep me inspired. The above quote holds true, I guess for most of us. It is through our art that we slowly discover what we are trying to convey to the viewers. 

Malshej Ghat is a mountain pass in the Western Ghats range in the Thane-Pune district of Maharashtra, India.The site is nestled in the lofty rugged hills of the Western Ghats. The road journey to this place will take you through winding roads, lush greenery on either sides, thick dense fog and countless number of waterfalls touching the highway. 

We visited this place in the monsoon season this year and I found some perfect subjects that I was looking to paint.. My today's post is a charcoal drawing of one such scene from Malshej Ghats wherein the majestic mountain slopes can be seen fading off in the distance. This drawing was not planned but while browsing through my stationery I came across a white sheet of Canson Mi Teintes which initiated the idea of experimenting with this paper out for my charcoal drawing?. 

I love to experiment with new papers all the time. I have created a post regarding the "Papers I use for my charcoal drawings". After using Canson Mi Teintes, I am quite convinced that it will be an added paper in my list for charcoal drawings. It has this beautiful sanded smooth surface ( which I also use for my pastel drawings ) which takes on the charcoal pretty well.

Sometimes it takes just one drawing to come to a conclusion and there are times when you want to check a paper/paint again and again and you are not really sure if it is going to work for you. 

Monsoon at Malshej Ghats

Charcoal drawing on Canson MT paper.

Size 5.5" X 7"

Initial stage of charcoal drawing

The above image shows the initial stages of the charcoal drawing wherein I have "Blocked In" the different elements in the scene, namely the sky, the mountains slopes etc using charcoal powder and my other blending tools.  The distant mountain slopes are kept light and without any details to create atmospheric depth.

In the subsequent layers I use the pencils and the kneaded eraser to create the highlights and shadows

The photograph from Malshej Ghats

which inspired me to create the charcoal

drawing such as above.

While on location, I try and take a few different photographs with different compositions and later after a little editing I use the image that looks good to to be converted into a painting. I also do a few quick "Thumbnail sketches" using my charcoal pencil and sketch book to roughly block in the value scale in the scene. It always helps. 

Follow my latest works and techniques on INSTAGRAM , where in I post my latest artworks regularly. 

Water colour painting on hand made paper

"The beautiful is in the nature, and it is encountered under the most diverse forms of reality. Once it is found it belongs to art, or rather to the artist who discovers it." Gustave Courbet

A quick water colour study of my favorite subject "Seashore" on hand made paper. I picked up this particular paper from "Himalaya Stationery" at Fort, Mumbai. It is a pure white paper, cold pressed and works great for landscape paintings.

Some time back I met an artist who highly recommended "Chitrapat hand made paper" for water colour paintings. At that point of time I was unable to find any information about this paper on the net. However recently while browsing through the net I came across two online sites which are selling these papers. CLICK HERE to see further details.

I may not purchase the Chitrapat paper immediately as I have a big collection of miscellaneous papers and I am already working with each one of them in order to settle down with the one which works best for my kind of techniques.

Seashore
Water colour painting on hand made paper
Size 6" X 8"

These days I am working out a balance between my "Landscape paintings" and "Portrait drawings". Generally I finish my landscape paintings at one go, however with my portrait drawing I take frequent breaks.

As of now two of my graphite portrait drawings are in progress. After spending a few hours on a portrait, I normally keep it aside so that when I look at it with fresh mind I can clearly see the areas where I need to work on. This always helps. So a portrait takes much longer time to complete.

Thanks a lot for visiting my blog and browsing through my artworks.

Charcoal Drawing Sketch book

"I sometimes think there is nothing so delightful as drawing." Vincent Van Gogh

Posting two of my recent charcoal drawings in my "Charcoal sketch book" using charcoal pencil, willow charcoal and kneaded eraser. This particular sketch book has a history. I created it in Sept 2015, when I was travelling. At that moment I was looking for a book with butter paper in between for protecting my study works from smudging. When I did not find one, I went on to create one myself. CLICK HERE to read more about this book.

 By creating these small value studies, I get to simplify the landscape that I am working on. Now that my preliminary drawing is done and I am happy with the design, composition and placement of values, I can go ahead and recreate these paintings in a larger format in any medium that I desire.

A seashore at Langkawi

Size 4"X 5"

A scene from West Sikkim

Size 4" X 5"

Painting is fun but as mentioned in the quote as above by Vincent Van Gogh, the pleasure of getting back to simple drawings is something cannot be described in words. Another beautiful quote which speaks of significance of drawing is "Drawing is the bones of art. You have to be able to walk before you can run."Dion Archibald

Check out my "ART WORKSHOP" page to know about some of my upcoming workshops in this month and October.

Thanks you all for browsing through my artworks.

Water colour painting of a seashore from Langkawi island, Malaysia

"Because watercolour actually moves on the paper, it is the most active of all mediums, almost a performance art." Nita Engle

The above quote truly states the beauty of water colour medium. It is a very challenging medium. I start with a very definite plan, create a small study sketch and then I paint the whole scene in my mind before I actually begin my work. But somehow you can never control the process completely. In water colour painting, I feel, art just happens. One has to be quick with the brush and the flow. It all gets over even before you know it. Water colour is fun and I am loving every moment of it.

My today's painting is inspired by a beautiful beach that we came across while we were at Langkawi island, Malaysia. It was very quiet. There were not many tourists around. The shadows of the trees, branches and the foliage mingled with the ocean waves gently crashing at the shore. I spent some great moments at this stunning beach. Through this painting, I have tried to capture those moments.

"In every outthrust of headland, in every curving beach, in every grain of sand there is the story of the earth." Rachel Carson. Beautiful quote.

The shadows at the beach

Water colour painting on Fabriano CP paper

Size 8.5" X 11.5" 

The tree foliage in this painting was a challenge. Creating it as study work in a small sketchbook comes easy as I am more free with the brush movements. However, when I am doing a bigger size work such as above, the brush strokes kind of get a little restricted. May be it is the fear of making a mistake. With time and experience I shall be doing more loose and free brush movements which in turn will bring out some happy outcomes. Until then, I shall continue my water colour journey painting different subjects.

.CLICK HERE to view a soft pastel painting of a beach from Langkawi.

Thank you for visiting my blog and browsing through my works.

Water colour painting of a mountain slope at Yumesamdong ( North Sikkim )

"Challenges make you discover things about yourself that you never really knew." Cicely Tyson

In a quest to discover the mystery behind the water and its role in the painting process, I continue pursue my passion experimenting and exploring this beautiful medium.

The water colour painting as below is a beautiful mountain slope covered with dense vegetation. I came across this view while I was on the way to Yumesamdong in North Sikkim at an altitude of 15300 ft. The two to three hours journey from Lachung to Zero Point or Yumesamdong offers stunning views of nature. The journey is as beautiful as the destination.

I have used flat vertical brush strokes to get the desired effect. This was a new and interesting experience for me and I enjoyed working with Campap paper. ( 200 gsm )

On the way to Yumesamdong ( Zero point )

Water colour painting on Campap paper

Size 5.5" X 8"

I purchased Campap paper a few years ago during some sale at a stationery shop and after using it for a couple of paintings I am beginning to like it. What I like most about this paper is the fact that I can easily lift off colour from the surface using a tissue paper or plain brush. I have placed an order for a 300 gsm Campap paper from Amazon as I want to try out this paper further.

If you are passionate about water colours then you must browse through the works of Alvaro Castagnet, an international water colour artist. His works are very inspiring. When free, I take out time to go through the works of other artists and it helps in lot many ways. Some day I shall write a post on that.

Thank you for browsing through my works and I appreciate your support which drives me to continue my art journey.

Charcoal study - Using willow charcoal and charcoal pencil

"The day is an empty canvas, the shapes and colours are yours to choose." Alex Noble

A value study is a great way to prepare for the final painting. It helps me understand the subject better and enables me to pay attention to the focal element. As a routine I almost always prepare a value study using either a graphite or charcoal medium.

When it comes to charcoal medium, I love using the willow charcoal as it helps cover a large area in a short time and with a little touch up with charcoal pencil the drawing gets completed.

Posted below is a recent charcoal study work that I created using one of my holiday photographs from Coorg. It is a muddy pathway going uphill towards one of the private Coffee Plantations. I loved the scene as it had distant trees and a great composition for a landscape painting. I shall some day create a soft pastel painting referring to this value study.

Going uphill

Charcoal drawing on Fabriano Academia 120gsm paper

Size 6" X 8"

On my Table Top Easel,

The initial stages using willow charcoal.

I enjoyed doing this quick study in which I used willow charcoal in the beginning to block in the values and later used my charcoal pencil to get the foliage, rock, soil textures etc. Small study works, I feel are a good way to get the feel of the subject before starting a final coloured painting on the same subject.

To view some more of my charcoal study works CLICK HERE.

If you wish to attend my art workshop or wish to purchase one of my artworks please contact me and I shall get back to you as soon as possible.

Thank you for browsing through my artworks.

Step by step - Soft pastel painting of a landscape.

"It doesn't matter how paint is put on, as long as something is said." Jackson pollock

I paint some part of nature, something that appeals to me. Being there made me happy so I feel that connection and through my paintings I want to convey that happiness and appreciation of the beauty of nature. The soft pastel painting as below is a simple scene that I came across while on a morning visit to Karnala Bird Sanctuary. 

In the shadows, flowing through the rocks, a little stream of water, the dappled sunlight, falling across at places, bringing in the sudden glow. It is such a delight when I come across some simple beautiful scenes in nature. It is a little world in itself. The quiet serene atmosphere relaxes you and you learn to appreciate and admire nature a little more. 

Capturing the morning light

Soft pastel painting on canson MT

Size 7" X 10"

Given below are the images of the steps involved in creating the painting. I follow a simple step by step technique to complete my artwork. 

Step 1. Creating the basic outline of the elements keeping in

mind the perspective

Step 2. Simplifying the shapes and adding colours

Step 3. Adding colours keeping in mind the values.

The details happen at the final stage just 

before completion.

Every painting that I create has its own challenges. In this particular work I had to create the tall grasses in different shades, also keeping in mind the highlight on some of them due to the sunlight filtering through the foliage on the left side. However these little challenges make me learn a little more than what I already know and I enjoy these little learning experiences. 

I have also got into charcoal study works lately and will post one of my recent works soon.

Thank you very much for browsing through my works. 

I am also posting my works on INSTAGRAM on a regular basis.

A Tree

"Drawing is not the form, it is the way of seeing a form." Edgar Degas

Trees mean a lot to me. I love painting them. To me a "Tree" is a symbol of "Beauty, Strength, Endurance, Stability, and Wisdom".

I came across this beautiful old tree with exposed roots, anchored beautifully in the soil at Dubare forest on the banks of Kaveri river ( Near Coorg ). Since I had already created the study work of this tree on a small black Canson MT paper, it did not take me long to recreate this on a bigger paper.

Dubare forest, in Karnataka is known for its elephant camp and the area is a host to beautiful archaic deciduous trees. I did not have time to do any kind of Plein air sketching or drawing but I did manage to photograph many such trees. In the scene as below, there were other trees and bushes in the background, however I decided to keep it simple as I wanted the tree to be in focus.

Perennial

Soft pastel painting on Canson Mi Teintes paper

Size 6.5" X 9.5"

My works can be seen on my FACEBOOK and INSTAGRAM page too. Thank you for browsing through my works.

The Shaded Pathway- A Soft pastel painting of a landscape from Coorg

"It's not what you look at that matters, it's what you see." Henry David Thoreau

I finally completed the soft pastel painting of a scene from Coorg, ( Madikeri ) which I started in November 2016. After doing the initial layer of blocking in the colours, I had taken a break. I normally intend doing a painting at one go as it is so much more convenient. After an interval when I get back to an older work, it is a lot more struggle to restart it all over again. It is like the momentum is gone and I have to recollect everything about the scene and visualize the steps all over again.

However this is one of my favorite scenes that I came across during one of my morning walks in Madikeri and I did not want to give up on this one. It took me longer than expected to complete, but I was happy that I finally completed it.

The shaded pathway

Soft pastel painting on Fabriano Tiziano paper

Size 7.5" X 10"

For my soft pastels I am mainly working with Canson Mi Teintes and Fabriano Tiziano paper. To read more about the papers that I use CLICK HERE.

Of late I have been spending a lot of my time with my small sketch book. I just created a new one exclusively for my AQUARELLE GRAPHITE works. To create a small work sized 4" X 5.5" all I need is a sketch book, a Cretacolour 8B aquarelle graphite pencil, a brush and water. I am enjoying this new found activity because many a times I just have about an hour to myself which is not sufficient to start with some serious work. At such times I get down to doing my study works of different subjects. It is more of experimenting and exploring and is lot of fun.

If you are passionate about art and want to get started with a particular medium then you can attend one of my TWO DAYS ART WORKSHOP which I conduct on a regular basis. My upcoming workshops are listed in advance, so you can register for the same.

Thanks for all your support and keep browsing.

Dalhousie - A soft pastel painting

A beautiful quotation that I came across recently so decided to share it with others. 
"One eye sees, the other feels." Paul Klee

Dalhousie, is a beautiful hill station in Chamba district in the northern state of Himachal Pradesh. It is situated on five hills and has an elevation of 1970 metres above sea level. The place is blessed with enchanting beauty and is a must visit destination for all nature lovers, artists and photographers.

While in Dalhousie, we stayed in a hotel from where we had a direct view of the majestic snow capped mountains and pine trees. Referring to one of the photographs taken there, I painted this scene in soft pastel medium. 

At Dalhousie, Himachal Pradesh

Soft Pastel painting on Canson Mi Teintes paper

Size 5" X 7"

I have created a series of paintings on some memorable scenes from Himachal Pradesh. The state is so beautiful that you cannot help falling in love with it. I have visited Himachal on three different occasions and wish to go there many more times. Our last visit was to Spiti valley and back then we had planned to cover Lahaul district as well, but owing to bad weather could not do so. Sometime soon we will plan out a trip there too. 

Blogging is great but if someone wants to see all the paintings in the "Gallery" format it becomes a little difficult and one has to laboriously follow the "Blog Archive" which can be time consuming. Therefore as suggested by friends and my younger art workshop participants I have decided to go one step further and upload my past works on Instagram. It is taking time but eventually I will try and put up all my favourite works together.

When I get time at hand, the first thing that I want to do is paint. However painting at a stretch for long number of hours can exhaust the mind. During such times I take to photographing my art, editing, blogging etc. During my initial years I struggled, as I love painting more than blogging. But with time I have learnt to create a balance between all my activities.

Do you blog on a regular basis? Would love to hear from you through your comments. Do write about your art endeavors, your likes, dislikes etc. 

Thanks for browsing through my blogposts.

A Rocky Seashore at Bamboo island - A soft pastel painting

I love painting seascapes. Having spent my childhood close to the sea, it brings back memories.
I have a big collection of photographs and sketches yet to be painted and I don't think I will ever get tired of painting this subject. In fact the more I paint the more I fall in love with it.

The seashore as below has been created using very soft pastels ( Mungyo and Koh-I-noor ). I rarely use the hard pastels. In fact I have just one set with me and I never felt the need to purchase more. The scene below is from Bamboo island, part of Phi Phi Leh ( Thailand ).

In this particular painting I got to create a few textured rocks, the froth on the sea waves and their shadows. While adding the waves in the shallow waters I had to pay attention to the perspective in the scene. In all painting this scene was a new learning experience. I am looking forward to creating a few more seascapes soon.

A Rocky Seashore

Soft pastel painting on Canson Mi Teintes paper

Size 7.5" X 9.5"

I am blogging after a long "Diwali festival" break. As an artist I would love to paint and blog everyday but I have this priority list in which my art is sometimes not at the top. There are other very important personal things to be taken care of. However as and when I get free time to myself I devote it passionately to my art. 

The next painting that I may begin is of a forest pathway from Coorg in soft pastels. It has been a long pending assignment which has already painted visually in my mind and I just have to put it down on the paper. 

Last week while browsing through the net for nature and wildlife photographers in India and I came across some amazingly beautiful photographs taken by Rathika Ramasamy. I am truly inspired and have become a big fan of her works. If you are into photography or nature study you must visit her site.

Ending with a quote  - "Art does not reproduce what you see. It makes us see." Paul Klee

Small water colour study works on hand made paper

Apart from soft pastels and charcoals, I love the water colour medium and try to take out time for small works, as and when possible. The paintings below are inspired by the beautiful beaches of Goa namely Uttorda beach and Benaulim beach. I visited these beaches in August end last year. Both these beaches are rather unexplored and tranquil beaches. Perfect for relaxation. Through these two works I got to do two different skies.

Benaulim beach, Goa

Water colour study work on hand made paper

Size 4.5" X 5.5"

Uttorda beach, Goa

Water colour study work on hand made paper

Size 4.5" X 5.5"

Hand made paper works really good for the wet on wet technique as it holds the water for a long time and I get to add colours slowly. However it is not an acid free paper. Therefore I am planning to start using the Arches cold pressed paper very soon. It is expensive but one of the best and widely used by water colour artists around the world. 

A beautiful quote on water colour painting - 

"Master water first and then paint." Josh Goldberg. 

Looking up at the cliffs - A soft pastel painting of a scene from Bamboo island ( Thailand )

The soft pastel painting as below has been inspired by the limestone cliffs at Bamboo island in Thailand. It was almost 11 am and the sun was behind the cliffs. The cliffs facing us were almost in shadow. When I looked up at the cliffs against the bright morning sky, the sight was absolutely amazing. I captured this scene in my camera as well as in my mind. Back then I had taken this decision to paint this scene some day.

I created a thumbnail sketch for this painting in the month of June and referring to it I started this painting last week. This scene was a little challenging because of the perspective involved. However it was a great learning experience. I plan to do some more landscape subjects such as these in near future.

Looking up at the cliffs

Soft pastel painting on Canson Mi Teintes paper

Size 6" X 8"

A beautiful Quote

"The mission of art is to represent nature, not imitate her." William Morris Hunt