Showing posts with label pastel. Show all posts
Showing posts with label pastel. Show all posts

Wednesday, 24 January 2018

On the way to Uttarey, West Sikkim - A soft pastel painting

"Nature holds the key to our aesthetic, intellectual, cognitive and spiritual satisfaction." 
E. O. Wilson

Bordered by Bhutan, Tibet, West Bengal and Nepal, Uttarey is a small village located on the Northern slope of Singalila Range in North Sikkim. We paid a visit to this beautiful place while we were on a holiday to Sikkim last year in May. The road to Uttarey from Hee Bermiok had some stunning views on the way. The abundant greenery, the mountains, the waterfalls mesmerize you.

The soft pastel painting as below is inspired by one such scene that we came across while we were on our way to Uttarey. It feels good to be doing a pastel landscape after a long long time.

A soft pastel landscape painting of a scene from Sikkim by Manju Panchal

On the way to Uttarey, North Sikkim
A soft pastel painting on Canson MT paper
Size 7" X 10"

A few images of the steps leading to the creation of the painting as shown above. I started off by picking up a few pastels and placing them on a small white tray so as to avoid a lot of confusion as the painting progresses. I keep the pastel pencils by the side as I use them to create the small branches and other details where ever necessary.

Initial step to creating a soft pastel painting, a scene from Sikkim

Initial stage of the soft pastel painting.

I wanted to limit myself to a few pastels but as the painting progresses I have practically all my pastels out at my workplace. As seen in the photograph below, I have my Kohinoor and Derwent pastel pencils, Mungyo, Camlin and Sennelier soft pastels all around me as I add more colours to my landscape painting. 

Initial step to creating a soft pastel painting, a scene from Sikkim. By Manju Panchal

My pastel collection
at my workplace.

Thank you for visiting my blog and browsing through my artworks. If you wish to see my other works visit my INSTAGRAM page, where I upload my paintings on a regular basis.

Thursday, 13 April 2017

Two more "Eye Studies" on two different papers.

" Drawing is the 'bones' of art. You have to be able to walk before you can run." 
Dion Archibald

Posted below are two more "Eye studies" as created on Canson Bristol and Strathmore Toned Gray paper. I purchased both these papers very recently from Art Lounge. They can also be purchased from ebay India or other online sites.

An eye study on Canson Bristol paper by Manju Panchal

An Eye study on
Canson Bristol XL paper

An "Eye study" on Strathmore Toned Gray paper. By Manju Panchal

An Eye study on 
Strathmore Toned Gray paper

Canson XL Bristol paper is acid free, ultra white and extra smooth. ( 180 gsm ). I used a combination of charcoal and graphite on this paper to create the eye study as above.

I am enjoying working with both these new papers. They are both good in their own ways. Strathmore is textured and being a toned paper I have to use only the white and black pencil to get the different values.

Canson Bristol XL paper

Canson Bristol XL paper

Presently I am also working on some of my old charcoal figurative works which need a little touch up. Will be posting one of them soon.

My works can be browsed through on INSTAGRAM and FACEBOOK page too.
Thanks for visiting my BLOG.

Sunday, 9 April 2017

Drawing "An Eye" on Strathmore Toned Gray paper

"Where words are restrained, the eyes often talk a great deal." Samuel Richardson

When drawing a portrait it is imperative to focus on "Eyes". The eyes bring life into the portrait and they express the feelings and emotions the person is going through. Drawing eyes requires a lot of understanding of the underlying bone structure or rather human skull. Hence to get a better understanding of the eye and to try out my newly purchased "Strathmore Toned Gray paper", I decided to do few eye studies on this paper.

The pencils I have used are very soft Camlin Charcoal pencil, and Cretacolour white pastel pencil. Since it is a study work I decided to spend not more than forty minutes on each of them. The gray colour of the paper acts as the mid tone value. To view the other tools that I use for my charcoal drawings you can CLICK HERE.


Charcoal drawing of "An Eye" by Manju Panchal, on Strathmore Gray Toned paper

Charcoal drawing of "An Eye" by Manju Panchal, on Strathmore Gray Toned paper


Two Charcoal drawings of 
An Eye Study
on Strathmore Gray Toned paper

The Strathmore toned paper has a very smooth surface and yet has a little texture which helps the charcoal and pastel to fix on it well. I enjoyed working on this paper. Whenever I buy a new paper I start off with a few study works because it helps me know the feel of it. I try out all my pencils and other related tools to understand what works best on it. 

After having worked with different papers I have come to one very significant conclusion, ie every paper has a different texture and feel and a pencil which may have worked very good on a different paper may now always work on the new one as well. Therefore it is best to read and research through the net and listen to the advise of other artists BUT when it comes to actually using a pencil on a paper, the safest way is to try it out.

A new paper or a new set of colours is always an exciting experience for any artist. These days I do a bit of study myself on the net before going ahead to buy new art stationery. I have already tried Canson MT for similar works and it is very good. However I read a lot of positive reviews about Strathmore paper and fortunately it is available in Art Lounge or it can also be ordered online through Amazon India.

If you wish to purchase any of my original art or Commision a painting, contact me on my e mail id and I shall get back to you as soon as possible.

Thanks to all the viewers who have been consistently browsing through my artworks. 

Monday, 20 March 2017

Kalatop Wildlife Sanctuary - A soft pastel painting

"There are painters who transform the sun into a yellow spot, but there are others who, thanks to their art and intelligence, transform a yellow spot into the sun." Pablo Picasso

Blessed with enchanting beauty, Dalhousie in Himachal Pradesh is built on and around five hills. Eight kilometres from here, is a beautiful wildlife sanctuary, the Kalatop Wildlife Sanctuary which is covered with thick forests of pine and deodhar trees. The undergrowth in the forest is well developed and the view all around is mesmerising. The forest has well laid out trekking trails for those who are the adventurous kind. I was more interested in walking around and soaking in the beauty of the surroundings.

The soft pastel painting of one of the scenes that captured my heart is as below. I have also added images of the step by step technique that I followed before I reached the final stage.  

Soft pastel painting of Kalatop Wildlife Sanctuary by Manju Panchal

Kalatop Wildlife Sanctuary
Soft pastel painting on Canson MT paper
Size 6" X 8"

Step 1 Soft pastel painting of Kalatop Wildlife Sanctuary by Manju Panchal

Step 1. Basic outline and adding a few colours

Step 2  Soft pastel painting of Kalatop Wildlife Sanctuary by Manju Panchal

Step 2. Simplifying the shapes keeping in mind the perspective

Step 3 Soft pastel painting of Kalatop Wildlife Sanctuary by Manju Panchal

Step 3. Almost all the colours are laid down and only
detailing left for the final stage.

To know more about the papers that I use for my pastel artworks you can CLICK HERE.  I have not created a post on the pastel brands that I use, but plan to do so very soon. I have a miscellaneous collection that I purchased over the past five years. By now I know the individual shades of each brand that I use the most and hence I have created a palette where in I organise all my pastels together ie a mix of different brands. The turquoise blue that I use in ocean is not available in the Koh-I-Noor Toison Dor and similarly the violet shade which is predominant in most of my works is a part of Mungyo collection. In conclusion, every brand has its own value and I enjoy using them together as it works well with my artworks.

Thanks a lot for browsing through my artworks.

Tuesday, 7 March 2017

Step by step drawing and painting - A seashore

"When you start a painting, it is somewhat outside you. At the conclusion, you seem to move inside the painting." Fernando Botero

Painting to me is a vision, a thought process, an idea that develops in the mind and then takes shape on a piece of paper. I paint a scene from nature, inspired by its beauty.

The scene below is from Bamboo island, five kiloimetres off the northern tip of Koh Phi Phi Don, in the Krabi province of Thailand. The island has stunning beaches with beautiful rocks, white sand and limestone cliffs behind. In the painting below the beach is covered by the shadows cast by the tall cliffs behind. The source of light ie the sun is behind the cliffs and the beach is on the west side of the island.

I decided on this scene as it gave me the opportunity to work on perspective, rocks and waves hitting the shore. Moreover this scene has a very interesting design and composition.

Soft pastel painting of a scene from Bamboo island by Manju Panchal

Reaching the destination
Soft pastel painting on Canson MT paper
Size 6" X 8"

I titled the painting as "Reaching the destination" with reference to the beautiful waves which travel a long distance and finally reach the shore. It is a beautiful feeling to be at a place like this and to hear the sound of the waves splashing against the rocks, and then gently kissing the white sand and merging with the land.

The soft pastel painting on twilight Canson MT progressed in stages and the step by step images can be seen below. Its a small sized painting so I did not use my Easel. My table is my workplace.

Steps involved in creating a soft pastel painting of a seashore

Step 1. Creating the basic outline
using Camlin charcoal pencil.

Steps involved in creating a soft pastel painting of a seashore

Step 2. Blocking in the major shapes with respective colours
 keeping in mind the values. Using the soft pastels
from mixed brands.

Steps involved in creating a soft pastel painting of a seashore

Step 3. Adding details and final touch up.
At this stage I use pastel pencils at several places.

Of late I have started uploading my works on INSTAGRAM and I find it very convenient to do so as most of the paintings are photographed and edited on ipad itself. I am beginning to like Instagram as it helps one to browse through all my works in a Gallery format. 

My Blog has completed a little more than three years and it has recently crossed  50,000 page views. It makes me happy, although having more page views was never the "Goal" when I started blogging. Blogging happened, because I wanted to keep myself focused in my artwork and grow as an artist. It also provided me with a virtual workplace where I could upload and maintain a record of my artworks. It has been a beautiful journey and I shall write a detailed post on my "Art Blogging" soon. 

Thanks to everyone who has been part of this journey and I truly appreciate the support provided by all of you.