A Slice of Watermelon - A watercolor painting

 “Color is a power which directly influences the soul.” Wassily Kandinsky

The magic of still life painting is that it can show us a new way of looking at subjects around us. Still life painting helps me to experiment and explore, with color mixing, composition and new techniques which I feel is very essential for any artist to evolve in the long run.

Yesterday I used a “Slice of watermelon” to create the water colour painting as posted below. For the background I have used a mix of all three primary colors and just when the paint was damp ( Before drying up ) I sprinkled little on it which added a little texture in the background.

For today’s artwork I have used a graphite pencil to sign at bottom right. Normally I use my rigger brush for the same. However the foreground being very light I decided to go with graphite as it would not interfere with the main subject. I recently came across a few artists who sign regularly in graphite pencil and I quite liked the idea. On a small sized painting it’s a struggle to to do a miniature signature and it can be frustrating.

A Slice of watermelon

A water colour painting on Chitrapat handmade paper 

Size 5” X

My paintings in the gallery format can be viewed on my INSTAGRAM feed where I have been posting regularly since last few years.

Thank you for browsing through my artworks. It motivates me to continue my painting journey.

Dramatic sky at the beach - A water color painting

"Smell the sea and feel the sky, let your soul and spirits fly.” Van Morrison

There are days when you get to witness the dramatic sky at the seashore. The diffused sunlight through the clouds, reflecting on the waters below made for a good composition. Inspired by this scene ( Photo reference: minera13/Pixabay ) I created this watercolor painting on Fabriano Acquarello watercolor paper.

I got more involved with watercolor quite recently and before getting into this medium, I went on to purchase many different brands of watercolor papers. Fabriano Acquarello happens to be one of them. So in the past few months I have tried all the papers at hand, and got to know so much about each one of them. ( Check My INSTAGRAM account  ). Now that I have resumed my blogging I will try and post a little about each one of them.

Fabriano Aquarello ( 200 gsm ) is a student grade watercolor paper, however in this category I find it pretty good to use. It is a professional grade, acid free paper and economical too.

Dramatic sky at the beach
A watercolor painting on Fabriano Aquarello paper
Size 5” X 7”

In the above painting, I used both Camlin and Winsor and Newton cotman tubes. My palette consisted of very few colors and I like it that way. It helps in simplifying my painting procedure. I enjoyed working on the sky. 

As I already mentioned, I am presently totally involved in watercolor medium but soon plan to get back to my charcoals and pastels.

Thank you for visiting my blog and browsing through my artworks.

A watercolor painting on Chitrapat handmade paper

“Our deep respect for the land and it’s harvest is the legacy of generation of farmers who put food on our tables, preserved our landscape and inspired us with a powerful work ethic.” James H Douglas Jr

Today’s post is a water colour painting of a morning scene at Charkhi Dadri, a small town 120 kms away from Delhi. These farms belong to our family friend and I am grateful to him for sending this reference photograph, which inspired me to create the painting as seen below.

This painting is a gratitude to all the farmers in the world who are involved in this noble profession. We get food on our tables, because someone, somewhere is working in the fields to produce it. I have once again used Chitrapat handmade paper for this painting.

Field of Crops
A water colour painting on Chitrapat handmade paper
Size 6” X 8.5”

The sky in this painting has a mix of warm and cool colours and I used wet on wet wash technique to complete the sky. I have used Camlin Artists watercolor tubes

Thank you for browsing through my artworks. To view my works in other mediums as well you can visit my INSTAGRAM profile.

Step by step - A watercolor painting of a beach scene

“The world always seems brighter when you’ve just made something that wasn’t there before.” Neil Garman

I recently completed one of my watercolor paintings on Canson Moulin du Roy paper and fortunately remembered to photograph the stages. It was an early morning scene, when we were at Colva beach and it was not crowded. The stretch of sand far across, and the misty look in the distance motivated me a lot and I decided then and there that I shall paint this scene one day. The actual painting starts in the mind, the moment you set your eyes on the place that you love.

The choice of paper is often decided by the technique that I plan to use for that particular painting. For the painting as below, I needed the misty look in the distance and hence was going to use the graded wash technique on wet paper, for which I think Canson Moulin du Roy works good for me. I used a mix of both Camlin and Winsor and Newton Cotman colours.

A Misty Morning at Colva beach

A watercolor painting on Canson Moulin du Roy paper

Size 5.5” X 8”

Step 1. Created the sky using a mix of warm and cool colours, and added the distant foliage on the left. Used wet on wet technique as I did not want to have hard edges in the distance.

Step 2. Created the bushes on the left ( Camlin Artists water color tubes ), the sandy seashore and the ocean. At this stage I have not added details anywhere.

Step 3. Added layers of colours to the bushes on the left to create the form and shadow, and flat wash of colour on the sandy seashore. Added details to the figures on the beach.

Thank you for browsing through my artworks. To browse through my artworks in all the different mediums that I have been working with since long, visit my INSTAGRAM page.

Fishermen returning home - A watercolour painting on Arches cold pressed paper

“Dance with the waves, move with the sea, let the rhythm of the water, set your soul free”. C A Martine

Today's post is a water color painting of a scene that I came across while I was at a seashore in Goa. Through this painting I wanted to capture the monsoon atmosphere, a cloudy evening sky and its lovely reflections at the beach. The fishermen are returning home after their day out at sea. The painting is also intended to tell their story. For painting the small figures in the distance, I made use of my rigger brush.

I have used Arches Cold pressed water color paper for this painting which is made of 100% cotton fiber content, acid free, pH neutral and air dried. I am loving this paper as it stays wet for long and helps me to add more colors slowly to increase the tonal values. I have used very few colours in this painting and it is almost a limited palette painting.

Returning home

A water colour painting on Arches CP paper

Size 5” X 7”

I take workshops in different mediums from time to time and if you are interested in learning my techniques drop me a mail at manjupanchal5@gmail.com or DM me at INSTAGRAM account.

Thank you for stopping by and for browsing through my works.

A slice of watermelon - A still life water colour painting

“Creativity is contagious, pass it on.” Albert Einstein 

Sometimes simple objects at home are a great source of inspiration to artist. A few days back I kept a slice of watermelon in the direction of sunlight in my kitchen, and I moved it at different angles to get the right composition that I was looking for. The light and shadow play in the composition helps to get the variation in tonal values. 

Once I was sure of the placement of the object in focus, I decided to go ahead and use my Camlin and Winsor and Newton paints to create this still life painting on Fabriano Aquarello paper. 

For a student grade paper, Fabriano Aquarello paper is pretty good. ( I have used the 200 gsm Cold pressed paper for the present artwork ). 

A slice of watermelon 

Water colour painting on Fabriano Aquarello CP paper.

Size 4.5” X 5.5”

In the last few years I have tried all different subjects, be it still life, landscape or a portrait. It is very difficult to say what I like painting most. For me, every subject is a whole in itself and I enjoy doing each and every work of mine. In fact I started my original works with still life paintings, picking on each and every object that I could lay my hand on in my home. In all it has been a very great learning experience and I plan to keep on painting for ever.

My paintings in the gallery format can be viewed on my INSTAGRAM feed where I have been posting regularly since last two years. 

Thank you for browsing through my artworks. It motivates me to continue my painting journey.

Sand dunes at the seashore

"At the beach life is different, 

Time doesn't move hour to hour

But mood to moment.

We live by the currents, 

Plan by the tides

And follow the sun."

Sandy Gingers

I am posting today after a very long time and I must say that I have missed my blogging sessions. However I have been very active at Instagram where I have been posting my watercolor studies and paintings on a regular basis. Blogging is different in its own unique way. In my blog, can share my ideas, my thoughts, my techniques and can write in more detail about my “Art Experiments on day today basis.” So I am glad that I am back to blogging and will try and share a lot about things that I have done in the past few months.

To begin with, I am posting a watercolor painting of a seashore today that I created on Arches Cold pressed paper ( 300 gsm ), using my old collection of Winsor and Newton cotman watercolortubes. The sand dunes and the sea oats at the beach inspired me to create this painting. Sea. oats are miraculous little plants with a massive root system capable of holding soil and sand in place during extreme weather. They may look like weeds but are vital part of the ecosystem.

Sand dunes and Sea oats

A water colour painting on Arches CP paper 

Size 6” X 8”

Seascapes is one of my favorite subjects and I can never get tired of painting them. For the sea oats on the dunes, I used my flat brush and rigger brush. In the past few months I have tried out many different water color papers and will be writing more in detail about them very soon. In the meantime you can also browse through my works on INSTAGRAM, where in I try and remember to mention the paper and the colors used to create a painting.

Thank you very much for all your support and I shall try to be more regular at my blogging so that I can share my art journey with all of you.

At Benaulim beach, Goa

"Inspiration comes of working everyday."Charles Boudelaire

Today's post is a small 5"X 7"study work of a scene that I came across while I was at Benaulim beach, Goa some years back. It was this wild clustered growth of  foliage and dry thin branches against the backdrop of the vast ocean that attracted my attention. Another reason was probably I wanted to put my Winsor and Newton Cotman series, rigger brush to use.

Painting greens and foliage is always a challenge and painting such scenes from nature teaches you a lot. Rigger brush was of great help towards the end to pull out the tiniest of random branches which would have otherwise been difficult with the other brushes. I am loving the rigger brush and will write a detailed review about it soon.

At the beach

Water colour painting on handmade paper

Size 5” X 7”

Hand made paper is great for wet on wet technique and is pretty economical too. I am using Petals hand made paper which is easily available in art stationery stores in Mumbai. I would have preferred using the cold pressed or Matt version but unfortunately, it is not easily available so I settled for the rough textured one.

Petals hand made paper

If you are into water colour paintings, I would love to know about the papers that you use. Do leave in a comment.

Thank you for visiting my blog and browsing through my works. It means a lot to me. 

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My upcoming workshop :

Charcoal drawing and sketching workshop - 26th of January, 2018.

Timings 10 to 1 pm. ( Only six participants )

PIXABAY - Free reference images for painting.

"It is in the silence of nature where one will find true bliss." j.j.c  ( Courtesy: Pinterest )

In December, I created a charcoal drawing of the scene as below to understand its basic tonal value structure.It is a beautiful landscape depicting "Fog and mist". I have referred to a photograph taken by Thomas B, Deutschland.( Courtesy: PIXABAY ) I am grateful to Mr Thomas for uploading this photograph and making it free for commercial use.

This photograph reminded me of my own visits to Mahableshwar and other hill stations during monsoon period when we would encounter such marvels of nature and hence inspired by the foggy lake scene, I created this water colour landscape using very limited colours from Camlin. The dark foliage and the drooping branches on the left pushed the other elements in the distance, creating depth. With this painting, I inaugurated my newly purchased rigger brush and Raphael mop brush. One of these days I shall create a post about the different brushes that I use to create my water colour paintings.

Fog and mist at the distance

A water colour painting on hand made paper

Size 7"X 10"

I am working on a few more water colour paintings before I make a switch to soft pastel medium, so keep browsing. Pastels are fun and I am very excited with the thought of getting back to them. 

To know about my upcoming workshops in different mediums CLICK HERE

Thank you everyone for visiting my blog and INSTAGRAM page.

Painting a forest scene in soft pastel medium

"The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth." Ezra Pound ( Courtesy: skinnyartist.com )

The paper that I use most often for my soft pastel works is "Canson Mi Teintes" which fortunately comes in assorted colours. This works as an advantage because choosing the right colour for the subject makes a lot of difference. To know more about the different shades and its specific names you can visit the site DICKBLICK. I normally use Twilight, Tobacco, Sand and Moonstone but I am open to experimenting and exploring with the other colours as well.

For my today's soft pastel painting I decided to go with black Canson MT paper as I wanted the foreground and part of the middle ground to be dark and in shadows. This is a beautiful scene from Karnala Bird Sanctuary and I love this place as I get to walk through different muddy pathways. It is densely populated with trees and in the morning hours I get the perfect light and shadow scenes. 

I have titled this painting "A walk through the shadows" as it reminds me of those beautiful moments in the tranquil nature. 

A walk through the shadows

A soft pastel painting on Canson MT paper

Size 5"X 7"

The soft pastel painting as above progressed in stages and the images can be seen as below. The broken pastels that can be seen around are from Mungyo, Gallery, Camlin and Koh-I-Noor. I also have a set of 24 dark Sennelier pastels which I use towards the end as they are very very soft.

Step 1. Creating the basic outline of the main elements

using white soft pastel pencil and blocking in the colours

of the winding pathway and the distant foliage.

Step 2. Blocking in the major shapes with respective colours

keeping in mind the source of light and atmospheric perspective.

In the final stages, I redo the layering of colours, making changes where ever required. All the detailing happens in the end.

Before I begin any painting, I create small "Thumbnail sketches" or "Tonal value studies" which help me understand the subject well and these little ten minute works enable me to decide on the best composition. Two of the small quick art studies can be seen below. The black and white study has been done using a single Staedtler 8B pencil. I have started using this pencil quite recently and am enjoying it. Both are sized 2" X 3".

Tonal value sketch & Thumbnail sketch

of a landscape.

Thank you all for visiting my blog. If you are into soft pastel medium I would love to know about the papers you use. Do leave in a comment. Browse through my other artworks on my INSTAGRAM page.