Banana - A still life water colour painting

“Art is making something out of nothing.” Frank Zappa

Today’s post is a still life water color painting of "A Banana " that I created some time back on Chitrapat handmade paper. I get plenty of sunlight at my place in the mornings and keeping the object in its direction helps me in getting the desired composition before beginning the artwork.

As I have been writing in my earlier posts too, over a period of time and after repeatedly using this paper I have taken a liking to it. It somehow seems to work for me. I can also say the same for Arches cold pressed paper, however Chitrapat paper is far more cheaper than Arches and is a great paper for both beginners and professional artists. Hence depending on what the budget is, one can go for either of the papers.

A Banana
Water color painting on Chitrapat handmade paper
Size 5” X 7”

I have not been doing serious artworks in charcoal and pastel medium for a long time now. There is no plan as of now. All I know is that presently I am enjoying the water colour medium and will continue to do so for some more time.

Thank you for all your support in my art journey and do browse through my INSTAGRAM feed to see all my works in gallery format. If you wish to purchase any of my paintings you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

La Carte Pastel card by Sennelier

"Great works are performed not by strength but perseverance." Samuel Johnson

( Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. )

As mentioned in my last post I recently purchased a La Carte Pastel card by Sennelier from Dick Blick, an online art stationery store in States. There are a lot of sanded papers available today, like Ampersand, Uart, Colourfix etc, but I decided to go for La Carte pastel card because I tried small study works on this card last year. The card came as a sample piece along with the Sennelier soft pastel set that I purchased through Amazon.

I pretty much liked its toothy surface and am posting my first landscape painting that I created on it recently. It is a 7.5” X 10.5” painting which I have created referring to my photograph that I took at Coorg, a beautiful hill station in Karnataka. It was a quiet morning and as we walked along the road lined up with trees and bushes, we could hear the sound of nature. John Muir's quote says it all. "In every walk with nature one receives far more than he seeks."

Solitude

A Soft pastel painting on La Carte Pastel card by Sennelier

Size 7.5" X 10.5"

Initial stage of the painting

La Carte sennelier card pad.

The La Carte pastel pad has come with six different neutral coloured cards. I am more used to the dark coloured papers but will try and select some subjects where in I can use the light neutral shades too. The surface of this pastel card is a lot different from Canson Mi Teintes paper. It is heavyweight, 360 gsm card and has a very toothy surface which can take layers of pastels without the pastel dust falling off. 

Thank you for browsing through my blog and if you have any queries related to any of my artwork or my techniques you can leave a comment below or write to me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

At Benaulim beach, Goa

"Inspiration comes of working everyday."Charles Boudelaire

Today's post is a small 5"X 7"study work of a scene that I came across while I was at Benaulim beach, Goa some years back. It was this wild clustered growth of  foliage and dry thin branches against the backdrop of the vast ocean that attracted my attention. Another reason was probably I wanted to put my Winsor and Newton Cotman series, rigger brush to use.

Painting greens and foliage is always a challenge and painting such scenes from nature teaches you a lot. Rigger brush was of great help towards the end to pull out the tiniest of random branches which would have otherwise been difficult with the other brushes. I am loving the rigger brush and will write a detailed review about it soon.

At the beach

Water colour painting on handmade paper

Size 5” X 7”

Hand made paper is great for wet on wet technique and is pretty economical too. I am using Petals hand made paper which is easily available in art stationery stores in Mumbai. I would have preferred using the cold pressed or Matt version but unfortunately, it is not easily available so I settled for the rough textured one.

Petals hand made paper

If you are into water colour paintings, I would love to know about the papers that you use. Do leave in a comment.

Thank you for visiting my blog and browsing through my works. It means a lot to me. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

My upcoming workshop :

Charcoal drawing and sketching workshop - 26th of January, 2018.

Timings 10 to 1 pm. ( Only six participants )

Charcoal drawing on Canson Mi Teintes paper

"Drawing is the artist's most direct and spontaneous expression. A species of writing; it reveals, better than does painting, his true personality." Edgar Degas

Beautiful quote by Edgar Degas. If you are into soft pastels, do browse through his works which are very very inspiring.

Charcoal medium continues to be one of my favorite till date. When I initially began working in charcoal, all I used was a charcoal pencil, charcoal powder and a normal eraser. Today I am experimenting and exploring with so many different tools and my technique has evolved.

With my Charcoal workshop coming up at Art Station, Andheri west, I am once again having the opportunity to experiment and explore by creating some new "study works" on different subjects, mainly landscapes. Apart from landscapes, I will be demonstrating a few "Still life drawings" too.

Today's post is a charcoal drawing on Canson Mi Teintes white paper. The scene is from Malshej Ghats, Maharashtra. The place is worth visiting in monsoon as the whole landscape transforms into something unimaginable. I got to see some stunning views of the mountains, dramatic cloudy skies, waterfalls and lush greenery all around.

Monsoon at Malshej Ghats

Charcoal drawing on Canson MT paper

Size 5" X 7"

White Canson Mi Teintes paper is a recent introduction to my list of papers for charcoal drawing. I am loving its smooth textured surface which works well for charcoal medium. Moreover it is acid free and without optical brightness additives.

If you wish to know more about the "List of papers" that I use for my charcoal drawings, you can CLICK HERE.

Thank you for visiting my blog and browsing through my artworks.

Trying out "Cloudy sky" in water colour medium

"Every painting is a voyage into a sacred harbour." Giotto di Bondone

Some months back a friend of mine visited Maldives for a holiday and sent me a few photographs from her visit. The place is beautiful with stunning beaches and I have already painted one scene earlier. My today's water colour painting is yet another scene from Maldives and I selected this scene in order to get a better understanding of painting clouds, its shapes and shadows.

As I wanted the sky to be the main focus of the painting, I avoided painting too many boats in the foreground, keeping just two boats at the distance on the left. For this painting I have used a very limited palette of colours such as Ultramarine blue, Cerulean blue, Crimson, Indian red and Burnt Sienna.

Water colour study of Cloudy sky

on hand made paper.

Size 5"X 7"

When it comes to water colour medium I am still on the experimental stage and am busy doing the "Seascapes" and "Mountainscapes". It is a challenging medium and there is so much more to learn, be it colour mixing or the different techniques like wet in wet, wet on dry etc. I believe in taking it slow, one step at a time. I am keen on doing forests too but have not got started with that subject as yet but plan to do so very soon.

Thank you for visiting my blog and browsing through my artworks.

Patong beach, Phuket

"The flow of water and paint can be uncontrollable and crazy, but it is also freedom, an escape, a therapy, joy, and, oh yes, very sensuous!" Angela Lynch

The above quote says it all. Water colour medium is challenging and the outcome so unpredictable. Yet you cannot help but fall in love with it.

Today's water colour painting is a scene from Patong beach, Phuket. This beach was right across our hotel and at around ten in the morning, the water level had receded a bit, which made the distant rocks and trees clearly visible. I have used a mix of Camlin and Winsor and Newton paints to create this artwork.

At Patong beach, Phuket

A water colour painting on Fabriano paper

Size 7" X 9"

Painting a beach scene such as above gives me the opportunity to try out many different elements such as the water, the sky, the rocks, the foliage and reflections. 

Thank you for visiting my blog and browsing through my paintings.

Sunset at the beach - A watercolour painting

"Watercolour is probably the most satisfying of all mediums. Although difficult in the beginning, after practice its mysteries will unfold, providing the utmost pleasure for the dedicated." Robert Lovett

Painting a sunset scene has been on my mind since long, therefore I decided to create one on handmade paper. I chose handmade paper since it stays wet for long and I can keep dropping in colours which blend smoothly into the background. If the paper does not have water holding capacity then I it starts drying up quickly and that leads to some unwanted hard edges.

The sky in this particular painting has a mix of warm and cool colours, so I mixed up enough colour in the palette before beginning the painting. In water colour painting, I have realised that I need to have a definite plan in my head regarding the steps that I am going to follow or else the painting gets ruined. For the sea weeds I picked up dry paint from the palette and used my coarse flat brush sideways and to create the tall grass blades I have made use of a rigger brush. It was fun creating this work using Camlin Artists water colour tubes.

Sunset at the beach

Created on handmade paper

Size 5"X 7"

Hand made paper is great, however it is important to know if it is acid free or else over a period of years the paper colour turns a pale yellow. I have some old papers in my collection and since they are not acid free I use them for my study works. The paper that I have used for my above work seems to be acid free and I have purchased it from Himalaya Stationery at Fort.

To know more about my upcoming Art Workshops CLICK HERE and thank you for visiting my BLOG.

Using Arches 300 gsm cold pressed paper

"Master water first and then paint." Josh Goldberg

Gurudongmar Lake is a stunning lake situated at a height of 17100 ft above sea level in north Sikkim.
The lake can be reached by road from Lachen via Thangu. The approach road from Thangu to Gurudongmar passes through a rugged and enchanting terrain with high alpine pastures covered with many rhododendron trees. It is a difficult journey and most tourists leave Lachen early morning by 4 or 5 am as it takes three to four hours to reach the lake. However once the destination is reached it is an unbelievable sight and the beautiful view all around is mesmerising. To me it was like a dream come true.

Before creating any painting, as a rule I always create a few study works which helps me simplify the shapes, understand the values and colours. Creating a study work also helps me to decide on my technique that I would apply in order to create that particular work. Sometimes it is wet on wet and other times I go with wet on dry technique. I have used my newly purchased Arches cold pressed paper for this painting and if everything works out well I may use it as my preferred choice for water colour medium.

Gurudongmar lake

Water colour painting on Arches cold pressed paper

Size 7" X 9"

In conclusion, I enjoyed working with Arches cold pressed paper. It has a great textured surface which is ideal for landscape painting and being 300 gsm, it can hold water for long and does not buckle much. I am planning to create a seashore painting next on the same paper. After creating a couple of works on this paper I will be able to understand its quality better.

Thanks for visiting my blog and browsing through my artworks.

An early morning view at Temi Tea Garden, South Sikkim

"If you hear a voice within you say ,'You cannot paint', by all means paint and that voice will be silenced." Vincent Van Gogh

While in Sikkim, we decided to spend a day at Temi Tea Garden in a homestay. When we reached there it was late evening and the weather was a bit dull and cloudy. The distant mountains and valleys were all covered in fog. Hence the morning sight took us by surprise as we were greeted by a clear sky, bright sunlight and it was a pleasure as we watched the scene change slowly.

Morning at Temi Tea Estate

Water colour study work on Campap paper

Size 5" X 6"

I enjoyed working on Campap paper. The wet on wet technique worked pretty well on this paper.
Presently I am working on some more water colour study works in my sketch book. After having done a couple of them I plan to create paintings sized 7" X 10" or more.

If you are interested in attending a workshop organised by me visit my ART WORKSHOP page to know more details.

Thanks for browsing through my works.

Portrait sketching of a woman on toned paper.

"Drawing includes three and a half quarters of the content of the painting. Drawing contains everything except the hue." Jean Auguste Dominique Ingres 

With experience we all realise the significance of the words as mentioned above in the beautiful quote by a Master artist.

In 2006, I created a series of portraits using the acrylic and charcoal medium. Back then I was not using toned paper for my charcoal works. After having worked with charcoal and white pastel pencil on toned paper I have developed a tremendous liking for it. Therefore I have decided to take this passion further by sketching portraits on a regular basis. It is challenging though as it requires an in depth understanding of facial anatomy. However I know from experience that by consistently working on a subject will definitely enhance my knowledge. Moreover I believe that learning is a process which has no boundaries. The learning curve steadily climbs up with time.

The charcoal portrait that I just completed is of  a "Woman from Kutch, Gujarat"with traditional jewelry. The morning rays of the sun are fall on her face, casting beautiful shadow of her nose ring. The light and shadow play on the face makes an interesting composition in portrait sketching. It helps me create a range of values. While creating this portrait I wanted to capture the glow, the happiness on her face. I have used Camlin charcoal pencil and Creatacolour white pastel pencil to create this portrait

The Glow
Charcoal sketching on Grey hand made paper
Size 6"X 8"

For portrait sketching I have always enjoyed selecting  "Traditional Indian women" with their colourful attire and exquisite jewelery as it speaks so much about the rich culture of the place that they come from. To browse through some of my other portrait works you can visit my PORTRAIT page.

Many of my paintings are available for sale and if you wish to purchase any of them you can Contact me for further information about the same. 

A Rocky Seashore at Bamboo island - A soft pastel painting

I love painting seascapes. Having spent my childhood close to the sea, it brings back memories.
I have a big collection of photographs and sketches yet to be painted and I don't think I will ever get tired of painting this subject. In fact the more I paint the more I fall in love with it.

The seashore as below has been created using very soft pastels ( Mungyo and Koh-I-noor ). I rarely use the hard pastels. In fact I have just one set with me and I never felt the need to purchase more. The scene below is from Bamboo island, part of Phi Phi Leh ( Thailand ).

In this particular painting I got to create a few textured rocks, the froth on the sea waves and their shadows. While adding the waves in the shallow waters I had to pay attention to the perspective in the scene. In all painting this scene was a new learning experience. I am looking forward to creating a few more seascapes soon.

A Rocky Seashore

Soft pastel painting on Canson Mi Teintes paper

Size 7.5" X 9.5"

I am blogging after a long "Diwali festival" break. As an artist I would love to paint and blog everyday but I have this priority list in which my art is sometimes not at the top. There are other very important personal things to be taken care of. However as and when I get free time to myself I devote it passionately to my art. 

The next painting that I may begin is of a forest pathway from Coorg in soft pastels. It has been a long pending assignment which has already painted visually in my mind and I just have to put it down on the paper. 

Last week while browsing through the net for nature and wildlife photographers in India and I came across some amazingly beautiful photographs taken by Rathika Ramasamy. I am truly inspired and have become a big fan of her works. If you are into photography or nature study you must visit her site.

Ending with a quote  - "Art does not reproduce what you see. It makes us see." Paul Klee

The shadow at the beach - A soft pastel painting

"An artist must have his measuring tools not in the hand, but in the eye." Michelangelo

Simple quote that speaks a volume. All the painting starts in the mind itself. The eyes
see it all. The observation gets sharper and better with time.

I recently created a beach scene from Bamboo island ( Thailand ), using the charcoal medium.
The place was so full of colours that I could not resist myself from creating a soft pastel
painting of the same.

Therefore using my cleaned up Soft pastel palette I went ahead to recreate this memorable
scene using vibrant shades of blues and greens. The water of the ocean, changed colours from
green to shades of blue, as it receded towards the horizon.

I titled this painting "The light and the shadow" as the source of light played a predominant
role in the painting. Another appealing factor to me in this particular scene was the rocks that
were so clearly visible under the crystal clear waters.

The light and the shadow

Soft pastel painting on Canson Mi Teintes paper

Size 6.5" X 8"

I spent my childhood years close to the sea. Hence the affinity is pretty strong. It brings back

sweet memories. The love for the sea and seashore continues to exist but now I am into admiring 

the beauty of nature. Using my creativity and imagination, I am busy trying to capture it live on a blank piece of paper so that I can hear the sea waves splashing at the shore. The sound of the

waves in a continuous rhythm is so relaxing to the mind.

Having completed this painting my latest resolution is to add a few more "Seashore paintings" to 

my " To do" list. 

Charcoal drawing of a bird in flight

"I don't say everything, but I paint everything." Pablo Picasso

The image below is a charcoal drawing of a bird in flight. I created this work quite some time back on Scholar drawing paper using a black charcoal pencil by Ambassador. I cannot find this pencil in any of the stationery stores these days.

Presently I am using Camlin soft charcoal pencil and charcoal powder for most of my charcoal art works.

Bird in flight

Charcoal painting on Scholar drawing paper

Size 7" x 10"

My works can be seen on INSTAGRAM and DEVIANTART too.