"It does not matter how slowly you go so long as you do not stop." Confucius
While browsing through Winsor and Newton official site, I came across some interesting facts put together in a very simple language regarding selecting the right water colour surface for water colour paintings. I am sharing these on the blog for all water colour enthusiasts.
1. ABSORBENCY
An ideal amount of absorbency allows the colour to sit on the surface of the paper rather than sink into the paper itself. The right amount of absorbency facilitates the reflection of the maximum amount of light, making the colours of your artwork all the more vivid.
2. COLOUR
White papers produce the brightest images whilst coloured papers are used for opaque or juxtaposition techniques.
3. STABILITY
To ensure that your work will stand the test of time, you will need a stable surface upon which to work. Long term stability comes from papers being acid free.
( COURTESY: www.winsornewton.com )
After exploring a wide variety of papers in the past few months, the one paper that I have definitely liked is CAMPAP. I have managed to create a few good paintings on its surface and am pretty satisfied with the effects too. However what I presently have is the 200 gsm version. Therefore I went ahead and ordered ARTO CAMPAP 300 gsm cold pressed paper from Amazon.in.
While browsing through Winsor and Newton official site, I came across some interesting facts put together in a very simple language regarding selecting the right water colour surface for water colour paintings. I am sharing these on the blog for all water colour enthusiasts.
1. ABSORBENCY
An ideal amount of absorbency allows the colour to sit on the surface of the paper rather than sink into the paper itself. The right amount of absorbency facilitates the reflection of the maximum amount of light, making the colours of your artwork all the more vivid.
2. COLOUR
White papers produce the brightest images whilst coloured papers are used for opaque or juxtaposition techniques.
3. STABILITY
To ensure that your work will stand the test of time, you will need a stable surface upon which to work. Long term stability comes from papers being acid free.
( COURTESY: www.winsornewton.com )
After exploring a wide variety of papers in the past few months, the one paper that I have definitely liked is CAMPAP. I have managed to create a few good paintings on its surface and am pretty satisfied with the effects too. However what I presently have is the 200 gsm version. Therefore I went ahead and ordered ARTO CAMPAP 300 gsm cold pressed paper from Amazon.in.
Arto Campap watercolour paper CP 300 gsm
The paper is pure white in colour and has textured surface on both the sides. I created a brushstroke on small test piece sized 1" X 4" on both sides and the images of the close up of the paper is as below.
Textured surface on one side
of Campap 300 gsm CP paper
Textured surface on the other side
of Campap 300 gsm CP paper
Many artists say that either side of the paper can be used. Its a personal experience and choice. Looking at the textures as above I would personally prefer the lower one which is more smooth as compared to the top one.
If you are into water colour paintings I would love to know which is your favorite water colour paper and why?. Do leave your reply in the comment section and I would love to hear from you.
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