Showing posts with label sketching. Show all posts
Showing posts with label sketching. Show all posts

Monday, 3 May 2021

Why I love using Strathmore toned paper

 “A beautiful body perishes, but a work of art does not.” Leonardo Da Vinci

Today apart from posting my two more drawings in the “Sparrow series”, I decided to dedicate this post to “How and when I started using Strathmore toned paper” and “what I love most about it”. To be frank, it’s been years and it is difficult to keep a track of lots of things that have happened while I have been moving ahead in my art journey. Therefore my BLOG and INSTAGRAM help me go down the memory lane to browse through the recorded facts and I feel so grateful that I started sharing my artworks with the art community from around the world.

After checking the data I realised that my earliest drawing of “Eye Study” was posted on April 17th, 2017. So it was definitely around that time when I visited Art Lounge, which during those days was situated at Churchgate. I along with a friend of mine had traveled by local train to do our yearly “Art Stationery Shopping”. It see to be fun. I had seen some lovely charcoal and graphite drawings on Strathmore paper and that inspired me to one for myself and check it out. My first pad that I purchased, as shown below, continues to be used even today as there are still some papers left in it.

Strathmore gray toned drawing paper pad

Strathmore gray toned paper pad
( 50 sheets )

My fascination for the subject “Sparrow” started after I started having plenty of sparrows all of a sudden in my balcony. It has been a pleasant change and I wake up to chirping of this beautiful species and it’s such a great way of starting the day. Sometimes I just quietly stand at one corner and watch their playful activities. 

For both the “Sparrow sketches” as given below, I have used Camlin graphite pencils namely 3B, 6B and 9B. For white pastel shading I have used Conte A Paris and General white pastel pencil. For my earlier sketching I experimented with combining graphite with Staedtler charcoal pencil, however I realised the blending does not go well. So I decided to keep my artwork limited to plain graphite strokes.

A graphite drawing of a sparrow on Strathmore toned paper

Holding on
A graphite drawing on Strathmore drawing paper
Size 4” X 5.5”

A graphite drawing of a sparrow on Strathmore gray toned paper

Balancing Act
A graphite drawing on Strathmore drawing paper
Size 4” X 5.5”

My personal review about STRATHMORE GRAY TONED DRAWING PAPER and why I love using it for my graphite and charcoal drawings 

1. It is 100% recycled, contains 30% post consumer fibre and is acid free.
2. The paper works great with graphite, charcoal, color pencils, ink etc and is very versatile.
3. It has a smooth surface and very fine texture which helps in holding the graphite and charcoal medium 
    pretty well.
4. Strathmore toned paper is available in two shades, gray and tan, which work as mid tone values. This
    makes it easier to judge the dark and light values and saves a lot of time as we need to apply only the 
    lighter and darker tones.
5. The paper is 118 gsm and this thickness is perfect to create some great artworks.

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 


Sunday, 25 April 2021

Sparrow - A Graphite drawing on Strathmore gray toned paper

 “A bird sitting on a tree is never afraid of the branch breaking, because her trust is not on the branch but on its wings”

If you are following me on INSTAGRAM , you probably must have already gone through my recent graphite drawings on “Sparrow series”. ( I have to admit that I have been more regular on my Instagram as compared to my blogging. I wish I could dedicate more time to writing in my blog. )

After having done watercolor medium for months, I suddenly felt the need to take a break and so decided to get back to my toned paper drawing and sketching. As far as stationery is concerned, I have enough of art materials for every possible medium. ( Over a period of time I have accumulated a whole lot of pencils, papers, paints and brushes and it helps because in COVID situations it is not easy to procure the desired materials easily. )

When it comes to toned paper, the two papers that I absolutely love and recommend to everyone are

1. Strathmore toned paper ( Gray and Tan shade )

2. Canson Mi Teintes paper ( Beige and Gray shade )

For my “Sparrow series” I decided to go with Strathmore gray toned paper as I wanted to create soft strokes of graphite and white pastel pencil. The smooth textured surface of the paper, I felt was ideal for these drawings.


Graphite drawing of a sparrow on Strathmore gray toned paper

“Just Relaxing”
Graphite/ Charcoal drawing on Strathmore Gray toned paper
Size 4” X 5.5”

Graphite drawing of a sparrow on Strathmore gray toned paper

“Sparrow on the tree”
Graphite drawing on Strathmore Gray Toned paper
Size 4” X 5.5”

pencil


The Strathmore pad with
Gray toned papers
Purchased from Art Lounge

These days I try to limit myself to using minimum art stationery in order to keep my working process simple. In both the above drawings I have used 3B, 6B and 9B graphite pencils and Creatacolor and General white pastel pencil


Pencils used 1. General white pastel pencil
2. Cretacolour white pastel pencil
3. Camlin 3B graphite pencil
4. Camlin 6B graphite pencil
5. Camlin 10 B graphite

In addition to the above, I also keep a simple pen pencil which I normally use in the beginning to create a very faint outline of the subject. If you are a beginner, my suggestion is to practise using simple materials available at home and once you feel you enjoy working on toned paper then go ahead and add a few products. When I first got into toned paper artworks, I remember using simple handmade coloured papers with rough surface and it cost me just about 20 to 30 Indian Rupees a sheet. CLICK HERE  to browse through my initial experimental works on handmade paper.

Thanks for visiting my blog and if you wish to purchase any of my original artworks, you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

Sunday, 12 August 2018

Nikola Tesla - Charcoal portrait on toned paper


"Be alone, that is the secret of invention; be alone, that is when ideas are born." Nikola Tesla

Today's charcoal portrait drawing is a tribute to Nikola Tesla, who was a Serbian American inventor, electrical engineer, mechanical engineer, physicist and futurist who is best known for his contributions to the design of the modern alternating current electricity supply system.

Albert Einstein was once asked how it felt to be the smartest man alive. Einstein's reply was " I don't know, you'll have to ask Nikola Tesla."

I have used Strathmore toned tan paper and a miscellaneous collection of pencils to create this portrait study. Drawing and sketching is always a welcome change. I have busy with my water color studies for last few months as can be seen from my INSTAGRAM page.


Nikola Tesla
Charcoal and white pastel drawing on Strathmore toned paper
Size 6" X 8"

Strathmore toned paper is a great paper to create portrait drawings using just two different pencils, a charcoal and a white pastel pencil. Few other tools that I commonly use are blending tool, eraser, charcoal powder etc.

I have not blogged much for the last many months and it feels good to be back at it again. My plan is to be a little more consistent from now on. I am also planning a few workshops in the next coming months and I shall be writing more about it in my "ART WORKSHOP" page.

Thank you for visiting my blog and browsing through my artworks.  

Friday, 5 January 2018

Stepping into 2018, a new beginning.

"Learn from yesterday, live for today, hope for tomorrow."Albert Einstein

WISHING EVERYONE A VERY HAPPY NEW YEAR 2018.

The year 2017 has come to an end and this is my first post of the year. It was an interesting year with respect to my art journey and its time to share some of my favorite works that I managed to create in different mediums.

I am extremely happy that I could devote some of my time for my water colour passion and went on to create several landscapes and seascapes. It has been a struggle, trying to understand all about the different techniques involved in creating a single water colour painting and while doing so I am exploring, experimenting and learning a lot. The learning experience that comes with the process of painting is of utmost significance to me as it helps me grow as an artist.

Water colour paintings by Indian artist and blogger Manju Panchal

Water colour paintings created in 2017

Find below few "Portraits" that I tried out on Strathmore and  Canson MT paper. Both these papers have great textures and I plan to work with them for my future works too.

Portrait drawings by Indian artist and blogger Manju Panchal

Portrait drawings created in 2017

Some of my personal favorites in soft pastel paintings that I created in the beginning months of last year. 

Soft pastel paintings by Indian artist and blogger Manju Panchal

Soft Pastel paintings created in 2017

In conclusion 2017 was a great year and I am grateful to all those who have been supporting me in my journey of art. My family, friends, my art workshop participants, my blog and Instagram followers, a very big THANK YOU to each and everyone of you for appreciating my art and motivating me to further continue working with same enthusiasm.

Thanks a lot for stopping by and browsing through my works. Looking forward to reading your comments. 

Sunday, 31 December 2017

At Matheran - A Charcoal drawing

“The environment is everything that is not me.” Albert Einstein

When we are out in the wild in the proximity of nature, we come across scenes which capture our attention instantly. The painting actually begins in the mind, the moment we set our eyes on a beautiful scenic landscape.The forest pathway as below was a little away from our Homestay in Matheran and being early morning the sun rays found its way through the dense foliage to create a beautiful contrast of light and shadow on the forest floor.

It is interesting to create a dense forest scene using any medium. With charcoal medium it is mostly about getting the values right. I used kneaded eraser and Staedtler eraser to create the highlights on the pathway and at other places where ever required. Creating thin branches come easy using using any sharp charcoal pencil.

A charcoal drawing of a scene from Matheran by Manju Panchal

At Matheran
A Charcoal drawing on Favini paper
Size 6"X 7"

I have been working with charcoal medium for very long and I am a little saturated. It is not that I do not love this medium but at times we all need a change. So I am shifting to water colour medium to start with. Will be doing some seascapes and landscapes. No matter what medium, I personally feel that every medium gives me same amount of joy. It is this journey of art which defines me and I am loving every moment of it.

The year 2017 has almost come to an end and I shall be posting soon about some "New year  resolutions" that I have in mind for 2018.

Thank you for browsing through my artworks. 

Thursday, 28 December 2017

Drawing a forest scene in charcoal medium

"Art is a line around your thoughts." Gustav Klimt

We were at Karnala Bird Sanctuary when I came across this scene, a pathway leading deeper into the woods. The sun rays  lit up the trees and the foliage in the distance. The composition looked good to me and I decided to capture it on a paper using my interpretation.

I have used willow charcoal and charcoal powder to blend in the background and later used Camlin and other charcoal pencils to create a few details in the mid-ground. Creating a charcoal work is a  great way of doing value study which helps me a lot in creating a coloured painting later. As many other artists say, I too have strongly started believing in the fact that "Value is more important than colour."

Charcoal drawing of a scene from Karnala Bird Sanctuary, by Manju Panchal

Walk in the woods
A charcoal drawing on Canson Mi Teintes paper
Size 6"X 8"

Half way through the painting, I suddenly remembered to click a photograph of the drawing while it was still in progress. So the image below shows the initial block in stage where in I have simplified the large shapes and created the basic foundation. I have used kneaded eraser to lift out the charcoal from the paper. 

Charcoal drawing - initial stages

Initial stage of the charcoal drawing
Using willow charcoal, Camlin charcoal pencil and kneaded eraser

 "Fog at the distance" and "Monsoon at Malshej Ghats" are my two other paintings which I have recently created on Canson Mi Teintes paper. This paper grips the charcoal powder pretty well on its sanded surface. I use the smoother side of the paper for my drawings. 

On the 22nd of December I was invited to judge one of the Fine art competitions at MOOD INDIGO Festival, hosted by IIT, Bombay. The event was titled "MONOSTROKES"  and the participants had to create a sketch using the different grades of graphite and charcoal pencils provided to them. 

MOOD INDIGO is the annual cultural festival of Mumbai and the largest in Asia. It attracts a whopping crowd of 1,39,000 students from more than 1700 colleges nationwide. It was an honor to judge this event and a great experience too. I am looking forward to attending more of such events in future too. 

Thank you for visiting my blog and browsing through my artworks.

Friday, 22 December 2017

The Fence - A charcoal drawing

“As music is the poetry of sound, so is painting the poetry of sight.” James McNeil Whistler

I am blogging today after a long number of days. Last week was busy as I was preparing for my "Charcoal drawing Workshop" which happened on the 17th of December at Art Station, Four Bunglows. I had in all nine participants in different age groups who were keen on knowing the basic techniques that I use to create my charcoal drawings.

On the 13th and 16th, I was invited to judge three different events in the "Fine Art" category, by Narsee Monjee Institute of Management Studies. These competitions ie "La La Land""Wat-A-Waffle" and "Artathalon" were part of their annual "VAAYU FESTIVAL". Each competition was unique in its own way and it was a great experience to be a part of this event. The student committee who organised these events put in lot of efforts since last many months and I appreciated their efforts in making these events a success.

Today I am posting a charcoal drawing of a landscape which I completed last week using willow charcoal and my other basic charcoal drawing tools. It is a beautiful morning scene that I came across during my early morning walk, while we were at Coorg, also popularly known as Madikeri. It is a small hill station in Karnataka. The fence with the barbed wire running along the border had a great appeal and hence I wanted to keep that as my main focus in this drawing.

The fence, A Charcoal drawing of a landscape from Coorg ( Karnataka ) using willow charcoal

The Fence
Charcoal drawing on Cartridge paper
Size 6” X 8”

I have been working with charcoal medium for a long time now and getting very tempted to get back to my "Soft Pastels". Soft pastel being a dry medium is quite like charcoal medium and I have to more or less use similar technique of creating marks. I love pastels for its vibrant colours and if you are into this medium do browse through the works of EDGAR DEGAS, ( 1834 - 1917 ) a French artist who used pastels in many of his artworks.

Thanks for visiting my blog and browsing through my works.

Monday, 11 December 2017

Portrait of a woman from North Sikkim

"I am seeking. I am striving. I am in it with all my heart." Vincent Van Gogh

Thangu is a beautiful small village in North Sikkim and I had the opportunity to be there while we were on our way to Gurudongmar Lake. Most tourists stop here for breakfast before proceeding ahead. The lady who owned the restaurant had very pretty features and as an artist I felt the desire to ask her permission to photograph her so that I could create her portraits.

She spoke very little, was immersed in her thoughts and I was not sure if she was going to like the idea of photographing her. However to my surprise she happily gave her consent and I went clicking her photographs from different angles so as to get the best composition. It was a sunny morning, so I could capture the light and shadows on the face which makes it interesting to understand the face anatomy while drawing it.

It was such a pleasure to meet her and know her. Travelling to remote places like Thangu introduces us to people, their life and culture and additionally we get the opportunity to see parts of our own country which are so heavenly. I have posted a few photographs of Thangu in an earlier post. 

Charcoal portrait drawing on toned paper by Manju Panchal

Inner peace
Portrait drawing on Canson Mi Teintes paper
size 6" X 8"

Of all the mediums I do, which one do I love doing the most?. I am asked this question very frequently by my friends and students. I find it very difficult to answer this because I truly and undoubtedly enjoy working with all the mediums. 

When I start off with charcoal, I get totally immersed in it with passion. It is the same with every medium that I am involved with. In conclusion, I feel one must do what one loves and let the passion flow on paper. Art should not have any limitations. End of the day it should make you happy.

If you wish to see all my paintings in gallery format, you can visit my INSTAGRAM account.
Thank you for visiting my blog.

Tuesday, 5 December 2017

Charcoal drawing on Canson Mi Teintes paper

"Drawing is the artist's most direct and spontaneous expression. A species of writing; it reveals, better than does painting, his true personality." Edgar Degas

Beautiful quote by Edgar Degas. If you are into soft pastels, do browse through his works which are very very inspiring.

Charcoal medium continues to be one of my favorite till date. When I initially began working in charcoal, all I used was a charcoal pencil, charcoal powder and a normal eraser. Today I am experimenting and exploring with so many different tools and my technique has evolved.

With my Charcoal workshop coming up at Art Station, Andheri west, I am once again having the opportunity to experiment and explore by creating some new "study works" on different subjects, mainly landscapes. Apart from landscapes, I will be demonstrating a few "Still life drawings" too.

Today's post is a charcoal drawing on Canson Mi Teintes white paper. The scene is from Malshej Ghats, Maharashtra. The place is worth visiting in monsoon as the whole landscape transforms into something unimaginable. I got to see some stunning views of the mountains, dramatic cloudy skies, waterfalls and lush greenery all around.

Charcoal drawing of a landscape from Malshej Ghat, Maharashtra by Indian artist Manju Panchal

Monsoon at Malshej Ghats
Charcoal drawing on Canson MT paper
Size 5" X 7"

White Canson Mi Teintes paper is a recent introduction to my list of papers for charcoal drawing. I am loving its smooth textured surface which works well for charcoal medium. Moreover it is acid free and without optical brightness additives.

If you wish to know more about the "List of papers" that I use for my charcoal drawings, you can CLICK HERE.

Thank you for visiting my blog and browsing through my artworks.

Wednesday, 20 September 2017

Charcoal Drawing Sketch book

"I sometimes think there is nothing so delightful as drawing." Vincent Van Gogh

Posting two of my recent charcoal drawings in my "Charcoal sketch book" using charcoal pencil, willow charcoal and kneaded eraser. This particular sketch book has a history. I created it in Sept 2015, when I was travelling. At that moment I was looking for a book with butter paper in between for protecting my study works from smudging. When I did not find one, I went on to create one myself. CLICK HERE to read more about this book.

 By creating these small value studies, I get to simplify the landscape that I am working on. Now that my preliminary drawing is done and I am happy with the design, composition and placement of values, I can go ahead and recreate these paintings in a larger format in any medium that I desire.

A Charcoal drawing sized 4"X 5" in my charcoal drawing sketch book

A seashore at Langkawi
Size 4"X 5"

A Charcoal drawing sized 4"X 5" in my charcoal drawing sketch book

A scene from West Sikkim
Size 4" X 5"

Painting is fun but as mentioned in the quote as above by Vincent Van Gogh, the pleasure of getting back to simple drawings is something cannot be described in words. Another beautiful quote which speaks of significance of drawing is "Drawing is the bones of art. You have to be able to walk before you can run."Dion Archibald

Check out my "ART WORKSHOP" page to know about some of my upcoming workshops in this month and October.

Thanks you all for browsing through my artworks.

Friday, 18 August 2017

Portrait drawing on toned paper

"And the beauty of a woman, with passing years only grows!." Audrey Hepburn

Today I am posting my recently done "Charcoal portrait drawing" of a beautiful woman whom I met in Sikkim. I loved everything about her, her wrinkled face, her pretty smile, her scarf on the head which curled up at the top letting a few braided strings fall below.

She is seventy five and stays high up in the mountains somewhere in Hee Bermiok in West Sikkim. She had come to meet the owners of the homestay where we were staying, with an intention of selling some pretty hand made purses to the tourists. I purchased a few of them.

She moves around the hills climbing the difficult terrain with such ease and is so cheerful and full of life. I listened to her conversation, not understanding much but enjoyed interacting with her. I took her photograph with her consent and expressed my desire to do her portrait some day. She was all smile to hear that.

I am glad that I finally managed to get started with her portrait. Her portrait will always remind me of her strength, endurance and zest for life. I feel fortunate to have met her. Painting is like etching these memories on paper.

Portrait drawing on toned paper

Wrinkled with age
Charcoal drawing on Canson Mi Teintes paper
Size 5" X 7"

Canson Mi Teintes paper comes in many different shades ( 50 colours ) and I use them for my soft pastel paintings too. However when it comes to using them for my charcoal and white pastel drawings I mainly use the dark gray sheet.


Canson Mi teintes ( Different shades )

If you are interested in attending any of my workshops, visit the ART WORKSHOP page to know the schedule.

Thanks for visiting my blog.

Monday, 14 August 2017

Rearranging my Charcoal drawing tools in a new box

"Without good drawing, the foundation of a painting will collapse." Ken Danby

As mentioned in my last post I am getting back into my "Portrait drawing". So I decided to rearrange and organise all my "Charcoal drawing tools" in a new cardboard box ( This sturdy little box with one inch height came with ipad keyboard ).

Arranging charcoal drawing tools in a new box by Indian artist Manju Panchal

Charcoal tools in a new box

This new box easily accommodates my basic drawing tools that I use on a regular basis. I keep the willow charcoal in a tissue paper as it smudges a lot and makes the whole area messy.

Prior to using the new box, my pencils and few other tools were in a very old stationery box which I have been using since probably 2000. The image of the same can be found below. When I got started with charcoal I used just about three to four tools namely Ambassador charcoal pencil, blending tools, charcoal powder and an eraser. So a small box was a pretty convenient option.


Old charcoal tool box

To view the images of all the different tools that I use in my present day drawings CLICK HERE.
I have also posted about the "Different papers" that I use for my charcoal drawings.

Thank you for browsing through my blog and if you are a person who is passionately into art, I hope that my blog and the information that I share is of help to you. 

Saturday, 12 August 2017

"Eye and Nose" study on Strathmore gray toned paper

"Do not fail, as you go on, to draw something every day for no matter how little it is, it will be well worthwhile, and it will do you a world of good." Cennino Cennini

A beautiful inspiring quote which reminds me that no matter how busy I am, I must remove a little time every day for my art which is a true source of "Happiness" to me.

I took out my Strathmore gray toned paper last week after a very long time. Just got tempted to do "Eye and Nose study" so that I can get started with my "Portrait works" once again.

Given below is a small study work of a Rajasthani man, on Strathmore paper. I started this artwork with the intention of doing just the eyes and nose but later on got carried away and did the turban and part of the face too. After having done back to back water colour paintings, doing a charcoal portrait has been a welcome change.

Charcoal drawing of a Rajasthani man on Strathmore gray toned paper by Indian artist Manju Panchal

Eye and Nose study work
Charcoal and white pastel pencil work on Strathmore toned paper
Size 4.5" X 6"

Speaking of toned papers the two other papers that I have used in the past are "Textured hand made paper" and Canson Mi Teintes.  All these papers including Strathmore is easily available on AMAZON and other online stores. 

Strathmore gray toned paper

Strathmore Toned Gray Pad
with 50 sheets

Thanks a lot for browsing through my works and to browse through some other portraits that I have created in the past CLICK HERE.

Friday, 11 August 2017

Charcoal drawing and sketching workshop on 26th and 27th August, 2017

"Live as if you were to die tomorrow. Learn as if you were to live for ever." Gandhi

I take art workshops from time to time. Through my art workshop I get to meet people from different walks of life. People who are looking forward to learn the basics of art and who need a little motivation to get started in this direction.

My today's post is a brief introduction about my upcoming "Charcoal and drawing and sketching workshop" on the 26th and 27th of this month ie August, 2017.

During the workshop I shall be introducing the participants to the different papers and the charcoal tools that I use for my drawings. CLICK HERE to view the images of the different tools as I have posted an article about the same some time back. I provide all the materials so that the participants can judge for themselves and then later buy their preferred choice of materials.

Each participant gets a small sketch book with 4"X 5"cartridge sheets.

Sketch book to create small charcoal works during art workshop

Using the different tools like pencils, willow charcoal etc they go on to create small works.
This way they get accustomed to using the tools.

Using charcoal tools during art workshop at Mumbai, by Manju Panchal

For the upcoming workshop I will be demonstrating landscapes, floral and still life works.
Such as the images below

Demo work during charcoal drawing workshop at Andheri, Mumbai

Charcoal drawing of landscape with mountains

Demo work during charcoal drawing workshop at Andheri, Mumbai

Charcoal drawing of Foggy landscape

The participants will be creating one charcoal drawing sized 6"X 8" on the first day and two different works on the second day. During the course of the drawing sessions the following topics too shall be covered.
  • Drawing from a photograph as a reference
  • Design and composition
  • Significance of tonal values
  • Framing of a charcoal painting
  • Tips and techniques for better drawings
  • Preservation and care ( protection against moisture, sun etc )
When I do the demo's of certain charcoal drawings I share "My technique" which I have developed over a period of time after having created hundreds of drawings. Hence I encourage the participants to use the basic techniques but experiment and explore with new tools and papers which will in turn help them to develop their own style in the long run.

The Charcoal drawing workshop will be for a small group of four to five participants and to register for the same you can call me at 9967169025 ( Mumbai ) or drop me a mail at manjupanchal5@gmail.com and I will get back to you as soon as possible.

Thanks for visiting my blog.

Monday, 7 August 2017

Charcoal drawing on Strathmore gray toned paper

"You never outgrow drawing. It's so fundamental to everything." Debra Groessner

No matter what medium I am into, getting back into drawing and sketching refreshes my creative spirit. As mentioned in the quote above, drawing is fundamental to painting any subject. We paint as we draw. 

The charcoal drawing below is of a group of rocks and pebbles at the seashore. Last time when I handled the same subject I used a cartridge paper. This time, however I decided to use the Strathmore gray toned paper in which the gray colour of the paper acts as the mid tone value and I had to add the darker and lighter values to complete the painting.

Charcoal drawing of rocks and pebbles at the beach on Strathmore gray toned paper by Indian artist Manju Panchal

Pebbles
Charcoal drawing on Strathmore gray toned paper
Size 4.5" X 5.5"

Posted below is the initial stage of the painting where I have created the outline of the rocks using a graphite pencil and added darker values at certain places.

Charcoal drawing of pebbles on Strathmore gray toned paper

Initial step
Drawing of pebbles

This is a small charcoal drawing and hence I have used only a charcoal pencil and a white pastel pencil. CLICK HERE to view all the different charcoal tools that I use in order to create a bigger charcoal work. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for visiting my blog and browsing through my works 🙏

Monday, 31 July 2017

Charcoal drawing of Pebbles

"If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all."
Michelangelo

Many artists believe that value is more important than colour to the design and success of a painting. I have started believing in this theory too. Hence creating a grey scale version of a painting helps me a lot to understand the subject even before I have started the painting process. The advantages of knowing the right values are
  • Value helps in creating a focal point within a painting or a drawing
  • The human eye is immediately drawn to a light element against a dark element. This creates the focal point of interest.
  • Gradations of value help in creating the illusion of depth.
  • The light and contrast help to define the form of the subject matter.
"Rocks and pebbles" have always fascinated me as a subject for painting. I created my first "Rocks and pebbles" painting in water colour medium and posted it recently. I enjoyed doing that small little study and decided to try out this subject using charcoal medium too. 

Therefore I hunted out another photograph taken at a beach and went ahead creating the charcoal drawing as given below. This is the fun part of the art journey. It is so full of surprises. You discover new interests, fall in love once again with an old medium and it motivates you further in life.

A charcoal drawing of pebbles on cartridge sheet by Indian artist Manju Panchal

Pebbles
Charcoal drawing on cartridge sheet
Size 5.5" X 6.5"

Taking a break with a little charcoal artwork has helped me. I intend to continue with my water colour explorations but as and when possible I will try and do a little of my "Charcoals and Pastels" too. I am also into "ART WORKSHOPS" and to know more details regarding the same you can visit my page. Art workshops are fun as it helps me to get connected with art enthusiasts in all age groups. 

Thank you very much for visiting my blog and keep browsing. Do visit my INSTAGRAM page to see my works in charcoals, soft pastels and other mediums.

Friday, 31 March 2017

Charcoal drawing on Fabriano Artistico hot pressed paper

"One must keep right on drawing; draw with your eyes if you cannot draw with a pencil."
Jean Auguste Dominique Ingres

A very thought provoking and inspiring quote. No matter how much I paint but time and again I come back to my drawing, be it in charcoal or graphite medium.

Recently I purchased a sheet of Fabriano Artistico hot pressed water colour paper with an intention of experimenting with charcoal medium on its smooth textured surface. I finally inaugurated this paper by creating a landscape drawing from a scene that I came across while I was taking a morning walk at Coorg. This pathway is leading to one of the Coffee Plantations belonging to some Native of Coorg.

The place is beautiful, weather is very pleasant, the land is very fertile and the greenery is awesome. I have been to Coorg on five different occasions, hence you will find many of my artworks which have been inspired by the beauty of Coorg, also known as Madikeri.

Charcoal drawing of a landscape from Coorg By Manju Panchal

A pathway to Coffee Plantations
Charcoal drawing on Fabriano Artistico paper
Size 6" X 8"

Charcoal drawing of a landscape from Coorg By Manju Panchal

The initial stage of the charcoal drawing
where in I have used charcoal powder
and charcoal pencil

I have used Fabriano Artistico paper for the first time to create a charcoal drawing. It is a water colour paper and I may try it out for water colour painting too. Talking about my experience and review of this paper with respect to charcoal medium, I feel it is absolutely great. It has very fine smooth grainy texture and the charcoal gets fixed on it pretty well.I will definitely be using it again for my future drawings too. 

I created a post some time back where in I wrote in detail about the "Papers" and "Tools" that I use for charcoal drawing and sketching. Times change and over a period of time I have added new tools, new papers in my art stationery collection. I love to experiment and explore in an attempt to find something different and better. It is an ongoing process of learning and experiencing the unknown. 

Thanks a lot for browsing through my works and I am grateful to all the viewers who have been constantly supporting my art and my techniques.

Wednesday, 1 March 2017

Charcoal drawing of a tree

"Inspiration does exist but it must find you working." Pablo Picasso

I love painting trees and am fascinated by them as a subject. I came across these beautiful lines on significance of trees and am sharing them with you. ( Courtesy: http://www.ancient-wisdom.com/treelore.htm )

Trees are symbols of physical and spiritual nourishment, transformation and liberation, sustenance, spiritual growth and fertility.The world-tree is described in the Upanishads "a tree eternally existing, its roots aloft, its branches spreading below."

Today I am posting a charcoal drawing of a beautiful tree that I came across on the banks of Kaveri river, at Dubare forest near Coorg. I recently posted another "Tree painting" from the same region.This charcoal drawing was created as a demo during a recent art workshop. It is not always possible to do a complete detailed work during a workshop, hence I spent a little extra time adding on a few marks here and there to get to get the look that I desired.

Charcoal drawing of tree as seen on the banks of Kaveri river at Dubare forest

The Eternal
Charcoal drawing on Cartridge sheet
Size 12"X 16"

For most of my demo works in charcoal medium I use willow charcoal during the initial layering of the shape as it helps in covering  up the basic mid tone value. Later I analyse and evaluate the work and then proceed with charcoal powder and pencil to get the darker tones. To create the highlights I use the kneaded eraser. 

CLICK HERE to know about the charcoal tools that I use for my charcoal drawings. I have also posted about my favorite papers that use for the charcoal medium.

Thanks for browsing through my works and would love to know what papers do you use for your charcoal works? Do leave in your comments.

Wednesday, 11 January 2017

Mother Teresa - A charcoal portrait study on toned paper


"Be happy in the moment, that's enough.Each moment is all we need, not more." 
Mother Teresa

A portrait study of "Mother Teresa" created on dark grey handmade paper using charcoal and white pastel pencil. The pencils I normally use on toned paper are Camlin soft charcoal pencil, Cretacolour white pastel pencil and General white pastel pencil.

A Charcoal portrait study work of Mother Teresa on toned paper by Manju Panchal

Mother Teresa
Charcoal and white pastel pencil work on handmade paper
Size 5.5"X 7"

In October 2016, I posted yet another portrait study of "Mother Teresa". I am presently working on a soft pastel landscape work of a scene from Karnala Bird Sanctuary. Will post it soon. My works can now be seen at Instagram.

Thanks for browsing through my works and do write your comments below.

Saturday, 7 January 2017

Step by Step - Charcoal demo of a landscape during an art workshop

 "I have been impressed with the urgency of doing. Knowing is not enough; we must apply. Being willing is not enough; we must do." Leonardo Da Vinci

During one of my "Two days Charcoal workshop" I created a 12" X 16" quick charcoal sketching on cartridge paper. The reference photograph has been taken from"Geotripper" with prior permission from Garry Hayes ( Geologist ). I love the blog as it has some of the most inspiring photographs of nature and the posts are very very informative.


Charcoal landscape drawing
Demo work on cartridge sheet
Size 12" X 16"


Step 1
Using willow charcoal, blocked in the major shapes.
The sky was kept very light using my blending tool ( Cloth )


Step 2
Blending the willow charcoal
and adding strokes using pencil to show crevices.
Foliage was created using willow charcoal
and pencils.

This kind of a demo takes about forty to forty five minutes. The time is not enough to do the details but the demo helps in understanding the steps involved in creating a charcoal landscape painting and the techniques involved in creating it.

CLICK HERE to read through another post in which I posted about my step by step creating of charcoal art in my sketch book.

You can browse my works on Deviantart, Instagram and Facebook.

Thanks for visiting my blog and would love to read comments from you.