Golden Gate Bridge - A watercolor painting on Chitrapat handmade paper

 “ Watercolor condenses time and consolidates experience.” Frank Marcello

 PIXABAY is a free stock photography and royalty free stock media website. It is used for sharing photos, illustrations and a lot more, under the custom PIXABAY License, which generally allows the free use of material with some restrictions. I personally enjoy browsing through this site for some interesting reference photos of places that I haven’t visited so far but would love to paint them anyway.

I have already painted the “Golden Gate Bridge” ( “A suspension bridge that connects the San Francisco Bay and the Pacific Ocean. ) on earlier occasions but the photo that I found recently caught my eye mainly because, it had quite a different composition as it was an evening scene and also captured the cars racing across the bridge. This scene looked a bit challenging as I decided to use the watercolor medium and had to capture the racing cars, which were going to be gestural strokes and not too much of details. 

I finally painted it on Chitrapat handmade paper using my usual Winsor and Newton Cotman and Camlin Artists water color tubes. 

After having completed a painting, every artist looks back and reflects on the entire process of creating it. I do the same. I haven’t painted this kind of a scene before and by the time I completed it, I was happy. Trying something new and different is always very exciting. It motivates you further to pursue the journey. 

The Golden Gate Bridge

A water color painting on Chitrapat handmade paper 

Size 4” X 5”

The Golden Gate Bridge 

Courtesy: Pixabay.com

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 

Seascape - A water color Painting on Chitrapat handmade paper

 “Translucence is an effect unique to the medium of watercolor and the lure that beckons me into the studio for yet another creative adventure.” Michele Cooper

Using Chitrapat handmade paper has always been a delight. I have written a lot already about the advantages of using this paper in my previous posts and I personally use this paper a lot. Apart from this paper I also like using Arches cold pressed paper and Fabriano Acquarello paper. 

For the painting below I have used very few colors, namely raw sienna, burnt sienna, orange and ultramarine blue. Using wet on wet wash technique, I initially painted the sky, the ocean and the sandy beach. Then I let the paper dry. Later I used ultramarine blue and burnt sienna to create the rocky structures in the distance, followed by the ocean and the beach. I also added few sailboats in the distance, using a very dilute wash of ultramarine blue and burnt sienna. The reflections of the rocks were added pretty much in the end. Can you also spot the birds flying in the sky? It was fun painting this seascape which has an overall warm tone and I forgot to mention that I have used Winsor and Newton Cotman paints and Camlin Artist watercolor tubes for this work. 

Evening Glow

A water colour painting on Chitrapat handmade paper 

Size 5” X 7”

In most of my posts, I have given a brief description about the paper and paints used by me. However I failed to write about the brushes I use in order to create them. In one of my upcoming posts, I shall try and give a detailed description about the different brushes used by me.

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for browsing through my blog and being a part of my art journey 🙏

Senibel beach Florida , Step by step watercolor painting

“Limitless and immortal, the waters are the beginning and end of all things on earth.” Heinrich Zimmer

My today’s post is a small water colour painting that I created recently on Campap watercolor paper. I posted it on my INSTAGRAM feed a while ago and decided to blog about it as I captured the steps involved in creating it. This Senibel beach scene from Florida is inspired by a photograph from @tryatrip and I am grateful for the same. Most of the times, I try using my own reference photo, however there are times when I come across something beautiful which I cannot resist and therefore go ahead and paint it.

If you have been following my works on INSTAGRAM you would know that I am a lot into Chitrapat handmade paper for my watercolor paintings which is really a great economical paper to start with but sometimes I do try on other papers which are in my collection and are fairly good.

                                                               

                                                                 Senibel beach, Florida

                                                   A water colour painting on Campap paper   

                                                                       Size   4” X 5.5”

                                            

Step 1. Sky and distant buildings

Step 1. I wet the paper using clean water and then using a round brush created

the sky with ultramarine blue color. While the paper was still wet I 

added the distant buildings using a small flat brush ( Ultramarine blue and light red mix )

 I darkened the pigments at places using a thicker mix of paints to create 

different tonal valuesto suggest the towers in the distance.

Step 2. The sea and the foliage on the left

Step 2. I now wet the lower section of the paper to create the ocean and 

ocean waves. I have used a mix of ultramarine blue and viridian green

for the sea waves and raw sienna for the seashore. Once the ocean was done,

I used wet on dry technique to create the foliage and branches on the 

left. I created the greens using chrome yellow and ultramarine blue.

In greens, I like the Hookers green from Camlin. I mix it

with a cool or warm color to create the shade I desire.

For the thin branches, I normally use my rigger brush

in the end.

For the final step, I added a few rocks and twigs on the sand. ( The Final painting as displayed on the top ). The wet sand next to the waves gets a reflection of sky color for which I have used ultramarine blue and light red mix from Camlin. That about completes the painting. If you happen to miss out on leaving the white of paper for the froth on seawaves, you can apply white paint directly from the tube using a stiff synthetic brush. ( I do it all the time. I have used masking fluid in the past, but from my experience I have realised that they all dry up if not used frequently and it is an expensive affair. So these days I avoid buying it. )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Why I love using Strathmore toned paper

 “A beautiful body perishes, but a work of art does not.” Leonardo Da Vinci

Today apart from posting my two more drawings in the “Sparrow series”, I decided to dedicate this post to “How and when I started using Strathmore toned paper” and “what I love most about it”. To be frank, it’s been years and it is difficult to keep a track of lots of things that have happened while I have been moving ahead in my art journey. Therefore my BLOG and INSTAGRAM help me go down the memory lane to browse through the recorded facts and I feel so grateful that I started sharing my artworks with the art community from around the world.

After checking the data I realised that my earliest drawing of “Eye Study” was posted on April 17th, 2017. So it was definitely around that time when I visited Art Lounge, which during those days was situated at Churchgate. I along with a friend of mine had traveled by local train to do our yearly “Art Stationery Shopping”. It see to be fun. I had seen some lovely charcoal and graphite drawings on Strathmore paper and that inspired me to one for myself and check it out. My first pad that I purchased, as shown below, continues to be used even today as there are still some papers left in it.

Strathmore gray toned paper pad

( 50 sheets )

My fascination for the subject “Sparrow” started after I started having plenty of sparrows all of a sudden in my balcony. It has been a pleasant change and I wake up to chirping of this beautiful species and it’s such a great way of starting the day. Sometimes I just quietly stand at one corner and watch their playful activities. 

For both the “Sparrow sketches” as given below, I have used Camlin graphite pencils namely 3B, 6B and 9B. For white pastel shading I have used Conte A Paris and General white pastel pencil. For my earlier sketching I experimented with combining graphite with Staedtler charcoal pencil, however I realised the blending does not go well. So I decided to keep my artwork limited to plain graphite strokes.

Holding on

A graphite drawing on Strathmore drawing paper

Size 4” X 5.5”

Balancing Act

A graphite drawing on Strathmore drawing paper

Size 4” X 5.5”

My personal review about STRATHMORE GRAY TONED DRAWING PAPER and why I love using it for my graphite and charcoal drawings 

1. It is 100% recycled, contains 30% post consumer fibre and is acid free.

2. The paper works great with graphite, charcoal, color pencils, ink etc and is very versatile.

3. It has a smooth surface and very fine texture which helps in holding the graphite and charcoal medium 

    pretty well.

4. Strathmore toned paper is available in two shades, gray and tan, which work as mid tone values. This

    makes it easier to judge the dark and light values and saves a lot of time as we need to apply only the 

    lighter and darker tones.

5. The paper is 118 gsm and this thickness is perfect to create some great artworks.

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 

Sparrow - A Graphite drawing on Strathmore gray toned paper

 “A bird sitting on a tree is never afraid of the branch breaking, because her trust is not on the branch but on its wings”

If you are following me on INSTAGRAM , you probably must have already gone through my recent graphite drawings on “Sparrow series”. ( I have to admit that I have been more regular on my Instagram as compared to my blogging. I wish I could dedicate more time to writing in my blog. )

After having done watercolor medium for months, I suddenly felt the need to take a break and so decided to get back to my toned paper drawing and sketching. As far as stationery is concerned, I have enough of art materials for every possible medium. ( Over a period of time I have accumulated a whole lot of pencils, papers, paints and brushes and it helps because in COVID situations it is not easy to procure the desired materials easily. )

When it comes to toned paper, the two papers that I absolutely love and recommend to everyone are

1. Strathmore toned paper ( Gray and Tan shade )

2. Canson Mi Teintes paper ( Beige and Gray shade )

For my “Sparrow series” I decided to go with Strathmore gray toned paper as I wanted to create soft strokes of graphite and white pastel pencil. The smooth textured surface of the paper, I felt was ideal for these drawings.

“Just Relaxing”

Graphite/ Charcoal drawing on Strathmore Gray toned paper

Size 4” X 5.5”

“Sparrow on the tree”

Graphite drawing on Strathmore Gray Toned paper

Size 4” X 5.5”

pencil

The Strathmore pad with

Gray toned papers

Purchased from Art Lounge

These days I try to limit myself to using minimum art stationery in order to keep my working process simple. In both the above drawings I have used 3B, 6B and 9B graphite pencils and Creatacolor and General white pastel pencil. 

Pencils used 1. General white pastel pencil

2. Cretacolour white pastel pencil

3. Camlin 3B graphite pencil

4. Camlin 6B graphite pencil

5. Camlin 10 B graphite

In addition to the above, I also keep a simple pen pencil which I normally use in the beginning to create a very faint outline of the subject. If you are a beginner, my suggestion is to practise using simple materials available at home and once you feel you enjoy working on toned paper then go ahead and add a few products. When I first got into toned paper artworks, I remember using simple handmade coloured papers with rough surface and it cost me just about 20 to 30 Indian Rupees a sheet. CLICK HERE  to browse through my initial experimental works on handmade paper.

Thanks for visiting my blog and if you wish to purchase any of my original artworks, you can mail me at manjupanchal5@gmail.com and I shall get back to you as soon as possible.

Online Charcoal drawing Class/Workshop using Zoom App

“Drawing is the ‘bones’ of art. You have to be able to walk before you can run.” Dion Archibald

 Charcoal is probably one of the oldest art materials and is very versatile in nature as a medium. It helps an artist do quick drawings in expressive strokes and the final black and white artwork is so impressive that one easily gets addicted to it. I am one of them. I took to this medium about twenty years back and I continue to be fascinated by it. Some of the advantages of this medium which I feel I need to share with the viewers are as following-

• Great help in creating tonal value drawings
• Helps simplify a complicated scene
• The bold, sweeping strokes helps an artist develop his/ her unique style
• Being a dry medium, it is easy to make corrections 
• Very Economical
• Can be carried easily for outdoor/ plein air works
• It is a fast medium to work with ( Especially if one is doing preliminary study works )

Before the COVID lockdown, I was busy taking private workshops at my studio at home. However now I have started “Online Charcoal drawing and sketching workshop” using ZOOM app. 

Apart from teaching the basics involved in creating a charcoal artwork, I shall also demonstrate step by step, one of the charcoal drawings as shown below. It will be a very interactive session wherein I shall be answering all the queries pertaining to this medium and will also share my personal tips and techniques which I have developed over a period of time. If you wish to attend my charcoal workshop in a group or one on one basis, mail me at manjupanchal5@gmail.com or call me at 91- 9082690127

Some of the basic tools that I shall be using during my demonstration 

for creating the charcoal sketch 

A . Soft piece of cloth used for blending purpose

B. Kneaded Eraser

C.Tortillon ( blending tool )

D. Charcoal powder

E. General very soft charcoal pencil

F. Camlin soft charcoal pencil

G. Willow charcoal 

Most of the above mentioned materials are easily available on online stationery stores like AMAZON, 

KDS art store, Hindustan Trading Company, Creative Hands etc.

CLICK HERE to read in detail about the charcoal tools as I have already created a post in the past.

Follow my latest works and techniques on INSTAGRAM , where in I post my latest artworks regularly. 

Ship at berth - A water color painting

 “Watercolor can leave me totally deflated and wondering why I chose it as a medium and then I am seduced again by a beautiful wash or the lacework of an intricate detail which is impossible to create in any other medium.” Joseph Zbukvik 

Last year I had the opportunity to visit my husband’s ship which had arrived at New Mangalore port for loading cargo in bulk. One morning when I got up and looked out of the porthole, I saw this “Bulk Carrier” parked at the jetty on the opposite side. It had probably arrived at night for loading. The atmosphere was a bit hazy I loved the scene, the mood and the composition. I had decided then that someday I shall paint the story of this ship. Painting is quite like story telling. I paint what is on my mind and leave the rest to the viewer to interpret it in his/her own way.

I am shuffling between Chitrapat handmade paper and Arches Cold pressed paper as both of them are my personal favourites now. Chitrapat paper is more reasonable as compared to Arches, however for this artwork I wanted to use Arches paper and undoubtedly, using a quality paper makes a big difference. The ship was the focal point of this painting and for the rest of the port infrastructure on the right, avoided too many details. It gave an abstract feel to the painting and I loved the way it turned out.

For most of my water color paintings, I like to use very limited Colors in the palette. For this work I have mainly used ultramarine blue, burnt sienna, raw sienna, permanent orange, and light red. Lesser Colors in the palette, I feel, helps simplify the painting process.

Ship at Berth

A water colour painting on Arches CP paper

Size 5” X 7”

Reference photo taken at 

New Mangalore port

I have already created a few water color paintings in my “Ship series” and plan to create some more very soon. I have also started doing charcoal tonal value sketches of ships and some are already posted on my INSTAGRAM feed. Do check them out.

Thank you for browsing through my artworks and I appreciate your support in my art journey.

A Slice of Watermelon - A watercolor painting

 “Color is a power which directly influences the soul.” Wassily Kandinsky

The magic of still life painting is that it can show us a new way of looking at subjects around us. Still life painting helps me to experiment and explore, with color mixing, composition and new techniques which I feel is very essential for any artist to evolve in the long run.

Yesterday I used a “Slice of watermelon” to create the water colour painting as posted below. For the background I have used a mix of all three primary colors and just when the paint was damp ( Before drying up ) I sprinkled little on it which added a little texture in the background.

For today’s artwork I have used a graphite pencil to sign at bottom right. Normally I use my rigger brush for the same. However the foreground being very light I decided to go with graphite as it would not interfere with the main subject. I recently came across a few artists who sign regularly in graphite pencil and I quite liked the idea. On a small sized painting it’s a struggle to to do a miniature signature and it can be frustrating.

A Slice of watermelon

A water colour painting on Chitrapat handmade paper 

Size 5” X

My paintings in the gallery format can be viewed on my INSTAGRAM feed where I have been posting regularly since last few years.

Thank you for browsing through my artworks. It motivates me to continue my painting journey.

Gondola’s at the moorings in Venice - A watercolor painting

 “Venice never quite seems real, but rather an ornate film set suspended on the water.” Frida Giannini

For quite some time I had been thinking about painting “A close up of Gondola’s in Venice” and then I came across a reference photo in PIXABAY  which seemed a perfect composition. So I went ahead and created my today’s watercolor painting on one of my favourite papers,  Chitrapat handmade paper  .

Chitrapat paper comes in two different textures namely the “ Rough” and the “Matt”. I always work with the rough textured paper and unfortunately I purchased a whole pad of twenty sheets of Matt textured version which did not work for my kind of techniques. If you are new to watercolor painting I would highly recommend to stick to rough textured paper as it is fantastic to work with especially the “wet on wet” technique. 

Gondola’s at the Moorings

A watercolor painting on Chitrapat handmade paper 

Size 5” X 7”

For the above artwork I have used Winsor and Newton Cotman and Camlin Artists water color tubes. I enjoy working with both these brands and would recommend it to all water color enthusiasts. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for browsing through my artworks and I appreciate your support in my art journey.

Dramatic sky at the beach - A water color painting

"Smell the sea and feel the sky, let your soul and spirits fly.” Van Morrison

There are days when you get to witness the dramatic sky at the seashore. The diffused sunlight through the clouds, reflecting on the waters below made for a good composition. Inspired by this scene ( Photo reference: minera13/Pixabay ) I created this watercolor painting on Fabriano Acquarello watercolor paper.

I got more involved with watercolor quite recently and before getting into this medium, I went on to purchase many different brands of watercolor papers. Fabriano Acquarello happens to be one of them. So in the past few months I have tried all the papers at hand, and got to know so much about each one of them. ( Check My INSTAGRAM account  ). Now that I have resumed my blogging I will try and post a little about each one of them.

Fabriano Aquarello ( 200 gsm ) is a student grade watercolor paper, however in this category I find it pretty good to use. It is a professional grade, acid free paper and economical too.

Dramatic sky at the beach
A watercolor painting on Fabriano Aquarello paper
Size 5” X 7”

In the above painting, I used both Camlin and Winsor and Newton cotman tubes. My palette consisted of very few colors and I like it that way. It helps in simplifying my painting procedure. I enjoyed working on the sky. 

As I already mentioned, I am presently totally involved in watercolor medium but soon plan to get back to my charcoals and pastels.

Thank you for visiting my blog and browsing through my artworks.

A watercolor painting on Chitrapat handmade paper

“Our deep respect for the land and it’s harvest is the legacy of generation of farmers who put food on our tables, preserved our landscape and inspired us with a powerful work ethic.” James H Douglas Jr

Today’s post is a water colour painting of a morning scene at Charkhi Dadri, a small town 120 kms away from Delhi. These farms belong to our family friend and I am grateful to him for sending this reference photograph, which inspired me to create the painting as seen below.

This painting is a gratitude to all the farmers in the world who are involved in this noble profession. We get food on our tables, because someone, somewhere is working in the fields to produce it. I have once again used Chitrapat handmade paper for this painting.

Field of Crops
A water colour painting on Chitrapat handmade paper
Size 6” X 8.5”

The sky in this painting has a mix of warm and cool colours and I used wet on wet wash technique to complete the sky. I have used Camlin Artists watercolor tubes

Thank you for browsing through my artworks. To view my works in other mediums as well you can visit my INSTAGRAM profile.

Step by step - A watercolor painting of a beach scene

“The world always seems brighter when you’ve just made something that wasn’t there before.” Neil Garman

I recently completed one of my watercolor paintings on Canson Moulin du Roy paper and fortunately remembered to photograph the stages. It was an early morning scene, when we were at Colva beach and it was not crowded. The stretch of sand far across, and the misty look in the distance motivated me a lot and I decided then and there that I shall paint this scene one day. The actual painting starts in the mind, the moment you set your eyes on the place that you love.

The choice of paper is often decided by the technique that I plan to use for that particular painting. For the painting as below, I needed the misty look in the distance and hence was going to use the graded wash technique on wet paper, for which I think Canson Moulin du Roy works good for me. I used a mix of both Camlin and Winsor and Newton Cotman colours.

A Misty Morning at Colva beach

A watercolor painting on Canson Moulin du Roy paper

Size 5.5” X 8”

Step 1. Created the sky using a mix of warm and cool colours, and added the distant foliage on the left. Used wet on wet technique as I did not want to have hard edges in the distance.

Step 2. Created the bushes on the left ( Camlin Artists water color tubes ), the sandy seashore and the ocean. At this stage I have not added details anywhere.

Step 3. Added layers of colours to the bushes on the left to create the form and shadow, and flat wash of colour on the sandy seashore. Added details to the figures on the beach.

Thank you for browsing through my artworks. To browse through my artworks in all the different mediums that I have been working with since long, visit my INSTAGRAM page.

An Orange - A still life painting

"Art is not what you see, but what you make others see." Edgar degas

During a recent water color workshop, I created a still life painting of an orange using wet on wet technique on handmade paper. In the background I sprinkled table salt to get the textured effect. 

My palette for this work was very limited and it comprised of Camlin Artist's water color tubes. 

An Orange

A water color painting on handmade paper

Size 5" X 7"

Presently I am more into doing portraits and landscapes. But I enjoy doing still life paintings too. Therefore when I have a workshop, I plan out different subjects including "Still life". Moreover the participants who come over to learn the basics have their own likes and dislikes. Therefore as a normal routine we do a still life, a floral and a landscape which covers up a lot of different techniques in the medium. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for visiting my blog and browsing through my works.

Another water colour study on Chitrapat hand made paper

"Logic will take you from A to B. Imagination will take you everywhere." Albert Einstein

When a paper works for me, it motivates me to create more works on them. As I have already written in my previous posts, Chitrapat hand made paper is new to me but somehow I am loving it. However to understand it better and to connect with it, I plan to work more with it.

Today I am posting a landscape painting that I created mainly to do the cloud study. I have used a mix of warm and cool colours ( Camlin artists water colour tubes ). As can be seen in the image below, I have also started using my Raphael sable hair mop brush. It is very expensive as compared to my other brushes but worth it.

Water colour study on Chitrapat hand made paper

Size 7" X 10"

Thanks for visiting my blog and browsing through my artworks. My works can also be seen on INSTAGRAM and if you like them please share. Thanks.

Cleaning and Organising my Soft Pastel Palette

"Drawing is not the same as form; it is a way of seeing form." Edgar Degas

Given below is an image of my "Soft Pastel Palette" with all my pastels put together in different boxes, grouped and segregated as per their hue. Earlier I would clean them up using a jar of old Rice/Semolina, but this time my pastels were not too messy, hence I used a partly moist cloth to roll up individual pastel on it. It worked and I could identify the exact colour of the pastel. CLICK HERE to see my earlier post on cleaning of pastels. 

Pastel Palette ( A mix of different brands )

Over a period of last six years I have purchased many different brands of pastels, experimenting and exploring, in an attempt to find the most suitable one. However I realized that each one them was good in its own way. Some are hard and I use them for initial blocking in of colours. Others are soft and work well to cover up the value masses. I have my favorites from each brand. The broken pastels as seen above in the pastel palette are from the following brands:

• Mungyo
• Gallery
• Koh-I-Noor
• Camlin

I also have one box of Sennelier pastels ( 24 Landscape colours ) which are very very soft and hence I use them for finishing touches as and when required.

How often do I have to clean my pastels? It is a question which has no definite answer. Sometimes I create a few works and then shift to my charcoal or water colour medium. In that case I keep my pastels well covered, so they remain clean for long. However if I am into pastels for long then after every few paintings, the pastels get jumbled up and dusty and then it becomes mandatory to clean it up or else it gets difficult to distinguish one colour from the other.

Now that my pastels are all organised, I plan to create a few forest paintings on Canson MT paper. I shall try to photograph them in different stages so that I can post the step by step technique that I use to create my soft pastel works.

Thank you for being a part of my art journey. I appreciate your support which means a lot to me. If you wish to see all my paintings together in gallery format, please visit my INSTAGRAM page.

Trying a cloudy sky using water colour medium.

"Avoid illustrating. Express the intangible, the atmosphere, the smell....the sound, the feeling of the place."Alvaro Castagnet 

It is important to know and understand water colour as a medium and reading quotes by master water colorists every once in a while helps. I enjoy reading quotes by Joseph Zbukvik, Alvaro Castagnet and others. I also take out time to watch them doing their paintings. It enlightens me and encourages me to never give up.

Today's post is a painting of a beautiful sun kissed sea and I am sharing a poem which I came across recently while I was browsing through PINTEREST.

The Sun kissed sea

A beauty rare, beyond compare,

is sun kissed sea,

No scene so calm, no scene so fair,

As this to me.

When floods of light dispel the night,

The morning kiss on waves

which sparkle with delight,

Is loveliness.

When ends my day, I trust and pray,

My voyage be

O'er the waters, where some golden ray,

May kiss the sea.

The Sun kissed sea
Water colour painting on hand made paper
Size 7"X 10"

With my soft pastel palette, all organised and cleaned up, I am ready to begin with my pastel art. To begin with I shall be doing a few thumbnail sketches or study sketches, which will help me warm up. Small study works are great in order to understand the composition, value masses, colour etc. It helps you visualize the final outcome. If it looks fine in its initial stages then it encourages me to go ahead to create a bigger sized artwork on the same subject.

Are you into doing study sketches too? If yes, do write to me and share your experience. It will be fun to know more about it.

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for visiting my blog.

PIXABAY - Free reference images for painting.

"It is in the silence of nature where one will find true bliss." j.j.c  ( Courtesy: Pinterest )

In December, I created a charcoal drawing of the scene as below to understand its basic tonal value structure.It is a beautiful landscape depicting "Fog and mist". I have referred to a photograph taken by Thomas B, Deutschland.( Courtesy: PIXABAY ) I am grateful to Mr Thomas for uploading this photograph and making it free for commercial use.

This photograph reminded me of my own visits to Mahableshwar and other hill stations during monsoon period when we would encounter such marvels of nature and hence inspired by the foggy lake scene, I created this water colour landscape using very limited colours from Camlin. The dark foliage and the drooping branches on the left pushed the other elements in the distance, creating depth. With this painting, I inaugurated my newly purchased rigger brush and Raphael mop brush. One of these days I shall create a post about the different brushes that I use to create my water colour paintings.

Fog and mist at the distance

A water colour painting on hand made paper

Size 7"X 10"

I am working on a few more water colour paintings before I make a switch to soft pastel medium, so keep browsing. Pastels are fun and I am very excited with the thought of getting back to them. 

To know about my upcoming workshops in different mediums CLICK HERE

Thank you everyone for visiting my blog and INSTAGRAM page.

Water colour painting on Arches cold pressed paper

"The only time I feel alive is when I'm painting." Vincent Van Gogh

I am sure every artist will agree with the above quote. If you are passionate about painting, you will realize what it is like to paint a little everyday. It brings a lot of joy and end of the day when you look at your work, no matter how small or big, it feels absolutely great. Then you gear up for yet another day of painting and begin your plans as to what to create next?

Pangong Lake, also known as Pangong Tso is situated in the Himalayas, at 14,270 ft above sea level. It is about four to five hours journey from Leh. This stunning lake which keeps changing its colours is one of the biggest tourist attractions of the country. I am yet to go there but am so fascinated with this heavenly place that when friends send me photographs, I cannot resist painting it. 

My today's painting is with reference to a photograph sent by a student and I am grateful to her for the same. I have used Arches Cold pressed paper and a combination of both Winsor and Newton and Camlin water colour tubes. I am beginning to love this paper as it stays wet for long and that enables me to add colours without the fear of having hard edges. 

Serenity

Water colour painting on Arches CP paper

Size 6.5"X 8.5"

If you have been regularly browsing through my blog you will know that I have still not zeroed in on the right paper for my water colour artworks. I have definitely shortlisted a few good ones and Arches is one of them. Selection of a paper is a very personal choice for every artist. Most papers are good but its just that each one of us find our comfort level in some particular brand.

As I mentioned in my last post, I am presently working on a series of few charcoal landscapes as my one day "Charcoal drawing workshop" is coming up soon at Art Station, Andheri west. Will post them soon. If you are interested in attending you can drop me a mail at manjupanchal5@gmail.com

Thank you for browsing through my artworks.

Patong beach, Phuket

"The flow of water and paint can be uncontrollable and crazy, but it is also freedom, an escape, a therapy, joy, and, oh yes, very sensuous!" Angela Lynch

The above quote says it all. Water colour medium is challenging and the outcome so unpredictable. Yet you cannot help but fall in love with it.

Today's water colour painting is a scene from Patong beach, Phuket. This beach was right across our hotel and at around ten in the morning, the water level had receded a bit, which made the distant rocks and trees clearly visible. I have used a mix of Camlin and Winsor and Newton paints to create this artwork.

At Patong beach, Phuket

A water colour painting on Fabriano paper

Size 7" X 9"

Painting a beach scene such as above gives me the opportunity to try out many different elements such as the water, the sky, the rocks, the foliage and reflections. 

Thank you for visiting my blog and browsing through my paintings.

Sunset at the beach - A watercolour painting

"Watercolour is probably the most satisfying of all mediums. Although difficult in the beginning, after practice its mysteries will unfold, providing the utmost pleasure for the dedicated." Robert Lovett

Painting a sunset scene has been on my mind since long, therefore I decided to create one on handmade paper. I chose handmade paper since it stays wet for long and I can keep dropping in colours which blend smoothly into the background. If the paper does not have water holding capacity then I it starts drying up quickly and that leads to some unwanted hard edges.

The sky in this particular painting has a mix of warm and cool colours, so I mixed up enough colour in the palette before beginning the painting. In water colour painting, I have realised that I need to have a definite plan in my head regarding the steps that I am going to follow or else the painting gets ruined. For the sea weeds I picked up dry paint from the palette and used my coarse flat brush sideways and to create the tall grass blades I have made use of a rigger brush. It was fun creating this work using Camlin Artists water colour tubes.

Sunset at the beach

Created on handmade paper

Size 5"X 7"

Hand made paper is great, however it is important to know if it is acid free or else over a period of years the paper colour turns a pale yellow. I have some old papers in my collection and since they are not acid free I use them for my study works. The paper that I have used for my above work seems to be acid free and I have purchased it from Himalaya Stationery at Fort.

To know more about my upcoming Art Workshops CLICK HERE and thank you for visiting my BLOG.