Watercolor paintings of Icebergs on Chitrapat handmade paper

“The real subject of every painting is light.”

Claude Monet

A few months ago, I happened to come across beautiful documentaries on nature on NETFLIX. The more I watched, the more I got fascinated and then my art journey took a new turn. I started painting “Icebergs” and “Glaciers”. Ideally, I would love to experience these beautiful marvels of nature myself, however I do believe that I can travel to these places via my paintings. When I create them on paper, I actually feel the atmosphere bit by bit using my brushes, paints and my thoughts. The final outcome transports me to these lovely places and I am practically in a different world.

For reference photographs, I normally browse through free sites like PIXABAY and UNSPLASH.

At times I also ask permission from photographers and travelers, and give due credit to them once the painting is done. More details about the paintings posted below can be seen on my INSTAGRAM handle, where in I am more regular at posting my works. If you have observed already, I am more into using a limited palette in each of my paintings below. When I post on Instagram, I normally mention the colours used which can be anything between three to five colour hues. ( Each colour hue could be made of one or more colour pigments ). Lesser the better. 

The paints, the brushes and the paper matter a lot when creating a Watercolor painting. I am still learning, experimenting and exploring but have realised that Chitrapat handmade paper is wonderful as it is great for wet on wet technique. In paints I majorly use Camel Artists quality Watercolor tubes and for brushes I will be writing another post soon as each of the brush that I use today has a story behind it and over a period of years I have invested in some expensive brushes which I do not regret as they have made a lot of difference in the quality of my works.

Aerial Drift

Watercolor painting on Chitrapat handmade paper 

4” X 5.5”

Gentle Drift

Watercolor painting on Chitrapat handmade paper 

3.75” X 5.5”

Watercolor painting on Chitrapat handmade paper 

4.5” X 6.5”

Resting on the blue

Watercolor painting on Chitrapat handmade paper 

5.25” X 8”

I have not been very regular at writing posts for my blog. However if you love my works you can follow me on INSTAGRAM. 

Step by step soft pastel painting - Road to Spiti

 “The important thing is to create. Nothing else matters; Creation is all.” Pablo Picasso

The Spiti holidays ( Himachal Pradesh ) happened in 2013. But the memories are so fresh. By painting a landscape scene from my travel journey, I make it all the more memorable. The winding roads, high up in the mountains, carved out by cutting through the mountains, so people like us can enjoy the beauty of the unseen wonders of this part of the world. So grateful to all those who worked so hard and made it happen.

We were so overwhelmed by the landscape around the roads, that we took frequent breaks to soak in the lovely atmosphere and of course to capture few photographs for reference ( For my future artworks). I still haven’t painted them all. Each one being very close to my heart. 

Road to Spiti

A soft pastel painting on Canson Mi Teintes paper

Size 5” X 7”

Step 1. I lightly draw the outline using a white pastel pencil on a medium toned Canson Mi Teintes paper

             ( Used Twilight shade here ). Using  Mungyo and Kohinoor Toison Dor soft pastels, I then use 

            Very light touch to fill in the respective colours keeping in mind the tonal values and perspective.      

Step 2. Once I have covered the entire surface of the paper with the respective colours as per my 

             interpretation ( The photo captures all the colours. Whereas in reality the distant objects are

             dull in colour and do not have any details or sharp outlines ). I lightly blend at places using

             my finger.

Step 3. In the final layer I add more colours to create depth. I also use pencils at this stage to put in 

            details at several places as required. That about completes the painting. I normally do not use any 

            fixative as I personally feel that it dulls the colours. I use a butter paper on top and staple it at

            one end and then keep it in the folder until framed.

My art studio

With my collection of soft pastels

And pastel pencils

Kohinoor Toison Dor 

120 soft pastels ( Foldable box )

Purchased from Art Lounge

Sennelier extra soft

120 half stick 

Paris Collection 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for taking out time and browsing through my blog 🙏

Golden Gate Bridge - A watercolor painting on Chitrapat handmade paper

 “ Watercolor condenses time and consolidates experience.” Frank Marcello

 PIXABAY is a free stock photography and royalty free stock media website. It is used for sharing photos, illustrations and a lot more, under the custom PIXABAY License, which generally allows the free use of material with some restrictions. I personally enjoy browsing through this site for some interesting reference photos of places that I haven’t visited so far but would love to paint them anyway.

I have already painted the “Golden Gate Bridge” ( “A suspension bridge that connects the San Francisco Bay and the Pacific Ocean. ) on earlier occasions but the photo that I found recently caught my eye mainly because, it had quite a different composition as it was an evening scene and also captured the cars racing across the bridge. This scene looked a bit challenging as I decided to use the watercolor medium and had to capture the racing cars, which were going to be gestural strokes and not too much of details. 

I finally painted it on Chitrapat handmade paper using my usual Winsor and Newton Cotman and Camlin Artists water color tubes. 

After having completed a painting, every artist looks back and reflects on the entire process of creating it. I do the same. I haven’t painted this kind of a scene before and by the time I completed it, I was happy. Trying something new and different is always very exciting. It motivates you further to pursue the journey. 

The Golden Gate Bridge

A water color painting on Chitrapat handmade paper 

Size 4” X 5”

The Golden Gate Bridge 

Courtesy: Pixabay.com

If you wish to see my recent artworks visit my INSTAGRAM site and if you like my works and they inspire you, please share with friends. Thanks for visiting my blog and browsing through my artworks. 

“Beach Reflections” A soft pastel painting on Canson Mi Teintes paper

 “ Limitless and immortal, the waters are the beginning and end of all things on earth.” Heinrich Zimmer

Somewhere in December 2019, I was at Bogmalo beach ( Goa ), with family to attend a marriage function. Little did we know of what was in store for us in the coming months. And then in 2020, Covid struck and all traveling came to a halt for a long long time. Therefore this beautiful beach is a reminder of the pre covid carefree era, when I took out time one early morning to walk along the shoreline and capture some lovely photographs which I planned to paint later at leisure. 

Today’s soft pastel painting of an early morning scene at Bogmalo Beach is one of the many paintings that I have created in the recent times. What I loved a lot in this particular capture is the reflection of the distant hills reflecting on the water reaching the shoreline. 

“Beach Reflections”

A soft pastel painting on Canson Mi Teintes paper

Size 5” X 7”

Like in any typical soft pastel painting, I have used Canson Mi Teintes paper and my usual Mungyo, Kohinoor Toison Dor and Sennelier pastels. These pastels work great in combination and as of now I am pretty content with my collection and do not wish to add any more.

If you wish to see some of my latest artworks you can visit my Instagram site wherein I post my works more regularly. Thank you for browsing through my blog. 🙏

Step by Step, soft pastel forest landscape ( Coorg, Karnataka )

 “Perfection is no small thing but is made up of small things.” Michelangelo 

Of late, I have been pretty busy with my water color paintings but I do miss working with soft pastels. So took out some time recently and created this forest landscape referring to my photo taken at Coorg, Karnataka. 

I have used the following brand of soft pastels as:

1. Camlin

2. Mungyo

3. Gallery

4. Kohinoor Toison Dor.

5. Sennelier

Each of these brands have their own qualities and together they work great for me. If I have to recommend one brand to buy as a set for the beginners, I would suggest set of 48 soft pastels by Kohinoor Toison Dor. These cylindrical sticks are absolutely soft on the paper and work wonders. Moreover they are economical too. As far as paper is concerned, I mostly go with Canson Mi Teintes as I find it economical and it has sufficient tooth for taking in two layers of pastels. I normally finish my work in two layers and additionally do a little touch up in the end using the extra soft Sennelier pastels.

“ On the way to Coorg”

A soft pastel painting on Canson Mi Teintes paper

Size: 7” X 9”

I have visited Coorg several times in the past and every time I am there it feels absolutely amazing. There is something magical about the nature vibes. It rejuvenates you to the core.

The Steps involved in creating the above artwork

Step 1.  Created a faint basic outline of the major shapes using a light coloured 

soft pastel pencil and later used the Mungyo and Kohinoor 

soft pastels to paint the respective tonal values keeping

in mind the source of light, and the shadows.

Step 2. After the first layer of color application ( using soft touch, as Canson Mi Teintes

cannot take in too many layers of colors ), I blended the colors 

on the paper using my finger tips to cover up the underlying

black shade of the paper. 

Step 3. After the first layer was painted and blending is complete, I carefully began with 

the background sky and slowly worked my way towards the forest 

trees and other elements as I progressed downwards towards 

the foreground. I used Kohinoor soft pastel pencils to create

the fine branches, and other details ( mostly in the

middle ground ) 

The reference photo taken at Madikeri ( Coorg, Karnataka )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends. Thanks for taking out time and browsing through my blog 🙏

Senibel beach Florida , Step by step watercolor painting

“Limitless and immortal, the waters are the beginning and end of all things on earth.” Heinrich Zimmer

My today’s post is a small water colour painting that I created recently on Campap watercolor paper. I posted it on my INSTAGRAM feed a while ago and decided to blog about it as I captured the steps involved in creating it. This Senibel beach scene from Florida is inspired by a photograph from @tryatrip and I am grateful for the same. Most of the times, I try using my own reference photo, however there are times when I come across something beautiful which I cannot resist and therefore go ahead and paint it.

If you have been following my works on INSTAGRAM you would know that I am a lot into Chitrapat handmade paper for my watercolor paintings which is really a great economical paper to start with but sometimes I do try on other papers which are in my collection and are fairly good.

                                                               

                                                                 Senibel beach, Florida

                                                   A water colour painting on Campap paper   

                                                                       Size   4” X 5.5”

                                            

Step 1. Sky and distant buildings

Step 1. I wet the paper using clean water and then using a round brush created

the sky with ultramarine blue color. While the paper was still wet I 

added the distant buildings using a small flat brush ( Ultramarine blue and light red mix )

 I darkened the pigments at places using a thicker mix of paints to create 

different tonal valuesto suggest the towers in the distance.

Step 2. The sea and the foliage on the left

Step 2. I now wet the lower section of the paper to create the ocean and 

ocean waves. I have used a mix of ultramarine blue and viridian green

for the sea waves and raw sienna for the seashore. Once the ocean was done,

I used wet on dry technique to create the foliage and branches on the 

left. I created the greens using chrome yellow and ultramarine blue.

In greens, I like the Hookers green from Camlin. I mix it

with a cool or warm color to create the shade I desire.

For the thin branches, I normally use my rigger brush

in the end.

For the final step, I added a few rocks and twigs on the sand. ( The Final painting as displayed on the top ). The wet sand next to the waves gets a reflection of sky color for which I have used ultramarine blue and light red mix from Camlin. That about completes the painting. If you happen to miss out on leaving the white of paper for the froth on seawaves, you can apply white paint directly from the tube using a stiff synthetic brush. ( I do it all the time. I have used masking fluid in the past, but from my experience I have realised that they all dry up if not used frequently and it is an expensive affair. So these days I avoid buying it. )

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Watercolor thumbnail sketch to simplify the painting process

“It is not the ship so much as the skilful sailing that assures the prosperous voyage.” George William Curtis

Water color medium by itself is challenging medium as compared to others. Therefore before attempting the final painting, I love to explore the different possibilities by doing small “Thumbnail sketch” or “Preliminary Study”. 

The subject “Cargo Ship” is a little out of my comfort zone and moreover it also involves the understanding of ship structure in general. Therefore, I felt it appropriate to create the two “Thumbnail sketches” as below to visualise the final painting. It also helps me to simplify a very complicated painting and most importantly it is a great mental warm up exercise.

 Both works are created on Chitrapat handmade paper which is made of 100% cotton fibreand very economical too. CLICK HERE to know more about this paper.

For both the paintings as shown below I have used a limited palette of Camlin Artists water color tubes namely

1. Ultramarine Blue

2. Raw Sienna

3. Burnt Sienna

4. Light red

5. Permanent orange

6. Chinese white ( for highlights )

Cargo vessel out at sea

A thumbnail sketch on Chitrapat handmade paper 

Size 2.5” X 4”

A Bulk Carrier at the port

A thumbnail sketch on Chitrapat handmade paper 

Size 3” X 4.5”

My Palette with Camlin Artists water

Colour tubes which I normally use for 

Thumbnail sketches

Chitrapat handmade paper pad

Purchased online from MAXA-ENTERPRISES 

During my initial years of painting I was unaware of the advantages of creating thumbnail sketches/preliminary studies. As I progressed in my journey I got inspired by a lot many experienced artists who advised on following this routine in order to plan and research an artwork beforehand. It made a lot of sense to me and initially it was not easy to adapt to this routine as this involved additional effort of creating a complete painting in a small size. Some of my initial attempts were pretty disappointing but as time progressed, I got more comfortable in creating small thumbnail works which are either 3” X 4” OR 4” X 5.5”.

Sometimes I feel that my thumbnail works which are done so spontaneously, without any fear of getting wrong, have that freshness and energy in them which sometimes goes lacking in the larger version of the same artwork. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for browsing through my artworks and I appreciate your support in my art journey.

Charcoal drawing of a forest scene on Strathmore 300 series drawing paper

“There’s nothing like drawing a thing to make you really see it.” Margaret Atwood 

Years back, I got into charcoal medium and got fascinated by it versatility. Initially I started off with just a pencil and charcoal powder but as years progressed, I went on to explore different tools and developed my own technique to create my Charcoal drawings. 

Presently I am more into water color paintings which is one of the most challenging mediums, however I do take out time in between to get back to my charcoal art. It’s a very satisfying experience as it helps in simplifying a complicated composition. Once I know my basic tonal values of the subject, it makes it easier to paint the scene using any other medium. 

Posted below are two of my charcoal drawings of  “Forest scenes”, with reference to my travel photographs.

A walk along the road 

A charcoal drawing on Strathmore drawing paper 

Size 4” X 5”

Along the road

A charcoal drawing on Strathmore drawing paper 

Size 4.5” X 5.5”

There are some charcoal tools which I use on a regular basis as shown below and these are easily available on Online stores.

Camlin and General charcoal pencil

Blending tool

Kneaded eraser

Charcoal powder 

Willow charcoal 

( Local Chinese brand )

On December 2016, I created a detailed post regarding the common tools used by me for my charcoal drawings. CLICK HERE to browse through the same.

If you wish to see all my artworks in Gallery format, visit my INSTAGRAM site where I post my works on a regular basis. Thanks for visiting my blog and browsing through my artworks. 

One Step at a time - A soft pastel painting

“ You can get anywhere if you simply go one step at a time.” Dave Ramsey

Sometime back I tried this soft pastel painting on Canson Mi Teintes light grey toned paper. Every landscape scene has its own challenges. What I loved in this scene was the steps leading into the forest and the misty background. I used muted grey toned colors in the distance to create depth and used light strokes of pastels to create the branches and foliage.

I normally work with a mix of different brands of soft pastels, namely Kohinoor Toison Dor, Mungyo and Sennelier. Out of these if I have to recommend one brand which is great quality apart from being economical is Kohinoor Toison Dor.

Sennelier is extra soft and it easily blends into the paper and I love its quality, however it is far more expensive than other brands. I normally use it as a last layer to apply finishing touches to my painting.

One Step at a time 

A soft pastel painting on Canson Mi Teintes paper

Size 5” X 7”

I created a post regarding the use of different papers I use for my soft pastel paintings. CLICK HERE to view the same.

If you wish to see all my artworks in Gallery format, visit my INSTAGRAM site where I post my works on a regular basis. Thanks for visiting my blog and browsing through my artworks. 

Gondola’s at the moorings in Venice - A watercolor painting

 “Venice never quite seems real, but rather an ornate film set suspended on the water.” Frida Giannini

For quite some time I had been thinking about painting “A close up of Gondola’s in Venice” and then I came across a reference photo in PIXABAY  which seemed a perfect composition. So I went ahead and created my today’s watercolor painting on one of my favourite papers,  Chitrapat handmade paper  .

Chitrapat paper comes in two different textures namely the “ Rough” and the “Matt”. I always work with the rough textured paper and unfortunately I purchased a whole pad of twenty sheets of Matt textured version which did not work for my kind of techniques. If you are new to watercolor painting I would highly recommend to stick to rough textured paper as it is fantastic to work with especially the “wet on wet” technique. 

Gondola’s at the Moorings

A watercolor painting on Chitrapat handmade paper 

Size 5” X 7”

For the above artwork I have used Winsor and Newton Cotman and Camlin Artists water color tubes. I enjoy working with both these brands and would recommend it to all water color enthusiasts. 

Follow my latest works and techniques on INSTAGRAM and if you love my works and they inspire you, share them with your friends.

Thank you for browsing through my artworks and I appreciate your support in my art journey.

The Pine Trees ( Roghi Village, Himachal Pradesh )

“Art is a space in which freedom tests its wings.” Marty Rubin

The ride from Kalpa to Roghi village in Kinnaur valley, Himachal Pradesh is an amazing experience. Today’s soft pastel painting is a small study of what I saw on my way. 

We have been to Himachal Pradesh many a times and road travel helps us to witness some stunning views on the way. While on our way to Roghi Village, I remember having stopped at this place and the “Pine Trees” against the sky looked magnificent. It almost felt as if they were reaching for the sky. 

I have used the twilight shade of Canson Mi Teintes paper. This is a medium toned paper and it goes well for most of my paintings where I have to work on subtle shades of color. However when I intend doing a forest where a major part of the landscape requires dark tones, I go in for either black or dark brown paper. Selection of the right color of paper makes a big difference in the painting.

Reaching for the sky

A soft pastel painting on Canson Mi Teintes paper

Size 4” X 5.5”

For most of my pastel works I use the Mungyo pastels in the beginning to block in the major shapes and later I use the Koh-I-Noor and Gallery pastels. During my final touch up I make use of my recently purchased Sennelier pastels.  

To know about the papers I have been using for my pastel artworks CLICK HERE. ( I have created a detailed post in the past )Thank you for browsing through my artworks and do visit my INSTAGRAM feed to see my latest artworks.

Rocky Seashore - A soft pastel painting on Canson Mi Teintes paper

“The ocean stirs the heart, inspires the imagination and brings eternal joy to the soul.” Robert Wyland

Canson Mi Teintes  has been with me for a long number of years. It has been my favourite paper surface for most of my “Soft Pastel Paintings”.

When I like a paper a lot and it agrees with my kind of techniques, I make it a point to buy a good number of them for long term use. So during my initial years of pastel days, I went ahead and purchased quite a few of them in different shades. Then as I began my pastel journey, I realised that some dark toned shades went well for “Forest paintings” whereas “Seashore” subject did well on pastel toned papers.

Today after years of my working experience with pastels, I have realised that I love “Twilight” toned Canson MT much more than other colors. However, I am now left with one last sheet in this shade. My stock of other sheets too has diminished. So once the Covid Lockdown is over, I will be placing my order for my requirements. In the meantime I am trying to work small, ie 5” X 7”  or 6” X 8” sized works.

Today’s soft pastel painting is inspired by the beautiful rocky seashore at Bogmolo in Goa. I have used a mix of Mungyo, Sennelier Toison Dor and Sennelier soft pastels for the artwork.

Rocky Seashore

A soft pastel painting on Canson Mi Teintes paper 

Size: 6” X 8”

I keep my pastels organised color wise in different trays. Being in touch with each other the pastels get coated with pastel dust ( Multiple shades ), hence it requires to be cleaned up on a regular basis. Therefore every once in a way, I take a break and clean up my pastels and reorganise them so that the original vibrant shade is clearly visible. CLICK HERE to view my post on the same.

Thank you for browsing through my artworks and do visit my INSTAGRAM feed to see my latest artworks. If you happen to like my works, I would appreciate if you share it with others. Thanks.

The Morning Calm - A soft pastel painting on Canson Mi Teintes paper

“Nature is the art of God.” Dante Alighieri

Goa has some beautiful beaches and Bogmolo beach is one of them. I happened to be there last December and captured the beach at different hours of the day using my mobile. The soft pastel painting that I am posting today is a morning view of the beach from the higher floor of our beach facing hotel. I loved the white buildings in the distant hills and the morning calm at the beach. At the beach, life is different. It is always a very relaxing experience. I look forward to being at the beach again.

Canson Mi Teintes is a great paper for pastel works and I have used it once again for my present seascape painting. As of pastel brands, I start my first layer using Mungyo pastels and then go on to use the Kohinoor Toison Dor and Sennelier in the subsequent layers. To create the small figures at the beach I have used pastel pencils.

“The Morning Calm”

A soft pastel painting on Canson Mi Teintes paper 

Size: 5” X 7”

I plan to create few more paintings on “Bogmolo Beach series” soon using both water colour and pastel medium.

To know about the papers I have been using for my pastel artworks CLICK HERE. ( I have created a detailed post in the past )Thank you for browsing through my artworks and do visit my INSTAGRAM feed to see my latest artworks.

Deeper into the forest - A soft pastel painting

“In every walk with nature, one receives far more than one seeks.” John Muir

Of late, I have restarted working with my “Soft Pastel” medium. I began my journey with Mungyo pastels and then like any other artist, went on to add other brands like Kohinoor Toison Dor, and Sennelier. Now I use a mix of all these brands to complete a painting.

Today’s post is a complicated scene in my “Forest” series and I have used the textured side of Canson Mi Teintes paper for a change. In general I go with the smooth textured side. However I know of many artists who regularly use the textured side and I wanted to give it a try.

Deeper into the forest

A soft pastel painting on Canson Mi Teintes paper

Size : 5” X 7”

Selecting a subject for painting is a very personal decision. Some years back I was a lot into “Portrait drawing and sketching”, and then over a period of time as I traveled to different parts of the country, I was fascinated by the stunning beauty of nature. I felt the connection and decided to capture the beauty of nature on paper using pastels and water colour medium. In a way I feel my paintings are an “Ode to Nature”.

To know about the papers I have been using for my pastel artworks CLICK HERE. ( I have created a detailed post in the past )

Thank you for browsing through my artworks and do visit my INSTAGRAM feed to see my latest artworks.

Sailed out - A water color painting on Chitrapat handmade paper

"Watercolor with all its subtle color and value gradations and its many welcome surprises, is the perfect medium for capturing mood.” Ray Hendershot

 The watercolor painting that I am posting today has been inspired by a photograph taken by my husband while he was at "The Bund", in Shanghai. There were a few more shipping vessels in the vicinity but I decided to keep just one in order to get a better composition.

It’s a morning scene, with a little warmth in the sky and a few clouds scattered across. A small cargo vessel is headed towards its next destination. This painting to me is the story of this shipping vessel and it’s journey ahead. 

“Sailed Out”

A water colour painting on Chitrapat handmade paper 

Size 7” X 10”

For the above artwork I have used Chitrapat paper and Camlin Artists watercolor tubes. 

Thank you for browsing through my artworks and if you wish to see my latest works and techniques you can follow me on my INSTAGRAM page.

About Fabriano Aquarello water color paper

“Where the spirit does not work with the hand there is no art.” Leonardo Da Vinci

I have not posted anything in my blog for a long time now. However I have been painting and uploading my works regularly on my INSTAGRAM page, which takes a little less time and is fairly simple. Moreover it also helps me keep a record of my paintings, papers and paints I use etc.

Today’s post is a Still life painting of “A slice of Apple” on Fabriano Aquarello 200 gsm paper. I placed this cut apple near my kitchen window in the direction of sunlight, to get the desired composition.

I have been using Fabriano Aquarello 200 gsm paper for a quite some time now. I find this paper very good for the following reasons:

• It is acid free
• The colors stay bright on the surface
• It is made of 25% cotton, is a student grade paper but a high quality paper to begin with.
• Very economical compared to many other similar papers.

 This is my personal evaluation and from artist to artist the opinion always differs. I purchased my Fabriano Aquarello pad from Amazon.in , however there are many different online art stationery stores which sell this paper today and it can be 

A Slice of Apple

A water colour painting on Fabriano Aquarello 200gsm paper

Size 5” X 7”

The paints used for the above still life painting are Winsor And Newton Cotman tubes and find them really good for the price that I have paid for it. I purchased individual tubes of those colors which I use predominantly in most of my paintings. 

Thank you for browsing through my artworks and do go through my INSTAGRAM feed to view some of my latest works and techniques.

Watercolor Still Life painting of "A Slice of Apple"

"The only time I feel alive is when I am painting." Vincent Van Gogh

The above quote is so very motivating. Anyone who is passionate about painting will connect with it immediately. I try to paint a little every day and it drives up my spirit instantly. I always look forward to painting a new subject everyday, be it still life or landscape.

Today's post is a still life painting of "A Slice of Apple", which when placed near my kitchen window in the direction of the sunlight, cast beautiful long shadow across the table. I wanted to capture this moment using watercolor medium. I created this artwork on Arches cold pressed paper,

which is a great acid free, high quality paper and I plan to use it a lot in the future.

The Light and Shadow
Water color painting on Arches Cold Pressed paper 300 gsm
Size 4" X 5.5"

I love working with still life objects as it gives me the freedom to experiment and explore. It provides me with unparalleled learning opportunities be it design and composition, mixing colors or understanding more about depth and perception. When I get saturated with my "Landscape" and other works, I take a break to do a still life painting and it immediately refreshes me.

Thanks for browsing through my artworks. To see all my artworks, visit my INSTAGRAM profile.

Step by step - A watercolor painting of a beach scene

“The world always seems brighter when you’ve just made something that wasn’t there before.” Neil Garman

I recently completed one of my watercolor paintings on Canson Moulin du Roy paper and fortunately remembered to photograph the stages. It was an early morning scene, when we were at Colva beach and it was not crowded. The stretch of sand far across, and the misty look in the distance motivated me a lot and I decided then and there that I shall paint this scene one day. The actual painting starts in the mind, the moment you set your eyes on the place that you love.

The choice of paper is often decided by the technique that I plan to use for that particular painting. For the painting as below, I needed the misty look in the distance and hence was going to use the graded wash technique on wet paper, for which I think Canson Moulin du Roy works good for me. I used a mix of both Camlin and Winsor and Newton Cotman colours.

A Misty Morning at Colva beach

A watercolor painting on Canson Moulin du Roy paper

Size 5.5” X 8”

Step 1. Created the sky using a mix of warm and cool colours, and added the distant foliage on the left. Used wet on wet technique as I did not want to have hard edges in the distance.

Step 2. Created the bushes on the left ( Camlin Artists water color tubes ), the sandy seashore and the ocean. At this stage I have not added details anywhere.

Step 3. Added layers of colours to the bushes on the left to create the form and shadow, and flat wash of colour on the sandy seashore. Added details to the figures on the beach.

Thank you for browsing through my artworks. To browse through my artworks in all the different mediums that I have been working with since long, visit my INSTAGRAM page.