Why I love working with Chitrapat handmade paper

“Painting is silent poetry.” Plutarch

“Sky” is a major part of any landscape and painting a cloudy sky can be a challenge. The subject for my today’s painting is an “Evening Sky” and I have used Chitrapat handmade paper for this water colour painting. 

I love this paper and enjoy working on it mainly for the following reasons:

• It is great for wet on wet technique 
• It is available in 270 gsm as well as 440 gsm and hence does not buckle much. 
• It is very economical as compared to imported papers like Arches and Fabriano 
• It is easily available on online stores 
• It is acid free paper

If you have been following me on my INSTAGRAM account, you can browse through a lot of my recent paintings created on Chitrapat handmade paper. I am more regular at posting in my Instagram feed. However for blogging I write a lot more in detail and it takes time so no matter how hard I try to be a little more disciplined, it eventually gets a bit delayed.

Dusk
A water colour painting on Chitrapat handmade paper
Size 5” X 7”

Chitrapat rough textured pad

Info printed on the pad

Close up of the rough textured Chitrapat handmade paper paper

For most of my watercolor paintings, I use a mix of Winsor and Newton and Camlin Artist watercolor tubes. They are both good in their own ways.

Painting in watercolor medium is a beautiful experience. All I need is a palette, a few brushes and a paper. It’s very convenient to carry it along when travelling. I plan to pursue my water colour passion for a long time ahead. 

Thank you for visiting my blog and browsing through my artworks.

Florida beaches - water colour study sketches

The white sandy beaches of Florida are just beautiful. For my next study sketches I referred to some beautiful images from Florida and manipulated the photographs a bit by shifting the sand dunes and the grasses so as to create a good composition. In each of them I have tried some different technique or colour combination. I have also experimented with different skies. 

The sky in all the paintings below has been completed in just one wash. I have also used two new colours which are my latest additions in the Camel artists colour tubes collection, namely Rose madder and French ultramarine blue. Over a long period of time we get used to using only a particular set of colours and it reflects in most of our paintings. So I took the decision to try out new colour mixes every time I do a study work. For example  to create a dark shadow I mixed viridian green and rose madder which worked out fine.

In two of paintings as below, I have added raw sienna in the foreground to add a little warmth. For grasses I have tried different brushes like flat brush, round brush and fan brush. An old worn out brush with stiff hair also works fine at times and I realised that with practise the grass creation will get better.

Painting beaches of Florida on cartridge sheet
using water colour medium.

My next project is to use my technique and colours that I applied in the study work and create larger pieces of work. I may not use all four images as above but it all depends on the MOOD and RHYTHM. Many a times I decide to do just one but get so carried away in the flow that I land up doing many more. Then there are times when my study sketches remain in the sketch book and I shift to some different work or medium.

There are no set RULES that I follow. There is no FIXED PLAN or ROUTINE. I take each day as it comes. Painting and sketching what comes to my mind each morning. Fresh ideas keep cropping in my head all the time and it is like a list of work that gets built up like a future PROJECT.

I may not execute all my ideas and projects the very same day and they remain stagnant in some part of the brain but I know for sure that each of the ideas will take shape some day be it a charcoal painting of a tree trunk or a portrait study or whatever else.

Right now my water colour seascapes is a definite yes and I plan to do at least four to five of them.